Main Page

Welcome to the GCDb - The Classic-International Exploitation & Cult Film Encyclopedia

Josh reviews the 1987 urban crime film ENEMY TERRITORY

Josiah reviews the 1977 prison drama BROTHERS

Josh reviews the 1975 giallo AUTOPSY starring Mimsy Farmer

Josiah reviews the 1978 blaxploitation film SUPER SOUL BROTHER

Nate reviews the 1968 H.G. Lewis comedy HOW TO MAKE A DOLL

Alif reviews the 1979 Peter Weir thriller THE PLUMBER

Josiah reviews the 1973 Women (and Men) in Prison classic TERMINAL ISLAND

Alif reviews the 1981 Sammo Hung kung fu classic THE PRODIGAL SON

Alif reviews the 1979 Shaw Brothers kung fu classic MAD MONKEY KUNG FU

Josiah reviews the 1981 grindhouse horror gem DEMONOID

Josiah reviews the 1976 Fred Williamson actioner BLIND RAGE

GCDb remembers JOHN SAXON (1936-2020)

Reggie reviews the 1966 Hammer cult classic ONE MILLION YEARS B.C.

Josiah reviews Gordon Parks Jr's 1975 romance/crime drama AARON LOVES ANGELA

Josiah reviews the PG rated Blaxploitation classic JOHNNY TOUGH

Josiah reviews the 1970 Crown International Pictures horror gem BLOOD MANIA

Josiah reviews the swingin 60s sex kitten film THE BABYSITTER

Josiah reviews Bert I. Gordon's 1976 Eco-Terror film THE FOOD OF THE GODS

Josiah reviews the 1975 rarity BAD, BLACK & BEAUTIFUL

Alif reviews the 1979 Shaw Brothers kung fu-crime film THE BROTHERS

Alif reviews the Shaw Brothers kung fu classic FISTS OF THE WHITE LOTUS

Reggie reviews the kaiju classic GODZILLA VS. THE SEA MONSTER

Josiah reviews Fred "The Hammer" Williamson's directorial debut MEAN JOHNNY BARROWS

Alif reviews the offbeat 1969 cult comedy THE MAGIC CHRISTIAN

Alif reviews the 1976 road racin' cult classic THE GUMBALL RALLY

Josiah Howard reviews the 1960 gothic horror classic CITY OF THE DEAD

Pete reviews the 1978 Brucesploitation classic DYNAMO

Josiah Howard reviews the Vermont based 70s psycho-thriller DARK AUGUST

Josh Stephenson reviews the offbeat 1974 Western slasher mashup A KNIFE FOR THE LADIES

Josiah Howard reviews the 1977 grindhouse revenge-actioner DEATH PROMISE

Josiah Howard reviews the 1974 Amicus horror anthology FROM BEYOND THE GRAVE

Josiah Howard reviews the 1975 grindhouse thriller THE LAST VICTIM

Josiah Howard reviews the 1976 Blaxploitation gem VELVET SMOOTH

DOUBLE FEATURES ON THE DEUCE

TEXTPLOITATION!

COMING SOON: "Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titles. A growing field of English-language giallo studies has focused on aspects of production, distribution and reception. This volume explores an overlooked yet prevalent element in some of the best known gialli--an obsession with art and artists in creative production, with a particular focus on painting. The author explores the appearance and significance of art objects across the masterworks of such filmmakers as Dario Argento, Lucio Fulci, Sergio Martino, Umberto Lenzi, Michele Soavi, Mario Bava and his son Lamberto Bava...." -READ MORE