How the 1930s superhero story — shot by Darran Tiernan, ISC and Peter Deming, ASC — was given two presentational formats, finished from the same frames.
The cinematographer and crew turned to Unreal Engine to previsualize lighting for the musical biopic's stadium-set concert scenes — all shot on Sony's Stage 27.
Cinematographer Jackson Parrell details the custom LUTs, LED-volume work and practical-driven lighting scheme that helped create the low-budget sports-romance series' distinctive visuals.
Director Peter Weir and cinematographer Peter Biziou, BSC tell the imaginative tale of a hapless man whose very existence has been turned into a television show.
