Synopsis
Walk down the right back alley in Sin City and you can find anything...
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
Directed by Frank Miller, Robert Rodriguez
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
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Call me crazy, but I'm starting to suspect Frank Miller has some issues about women.
As most of you could have guessed, this film is incredible to look at. The visuals are simply outstanding.
I am a huge fan of Sin City.I consider it to be my second favorite comic book film behind Watchmen. I literally eat dark comic book movies for breakfast. I was always looking forward to this movie, but I was never over-excited for it. The fact it took 9 years to come out and the early mixed reviews (mostly negative), also put a little bit of a damper on my excitement. Nonetheless, I was still really looking forward to this.
I must say, I ate this film up. I certainly enjoyed the hell out of it. Between the hypnotic visuals, great…
Sin City still looks like a nightmare painted in black, white and blood. But this time, something feels missing.
The cinematography is incredible. The colors. The shadows. The way every frame looks like a comic book brought to life. I was still hypnotized by the visuals.
But the magic wasn't quite the same.
At first, I was confused by the order of the stories. But I liked seeing more of these characters and understanding their pasts.
Some moments were brilliant. Others just felt weaker than the first movie. The stories didn't hit me as hard, and the whole thing felt less powerful.
And I really missed Suki. She was such a presence in the first film.
Jessica Alba was wild…
even more silly and masochistic than the first one -- and god help me, i love it, every ludicrous inch, every growled sentence fragment of narration, every frame of pure chiaroscuro. definitely a lesser film, it's not as wedded to trying to directly replicate frank miller's pained blocky still panels and leans more into a kinetic ping-pong game played between all the characters -- still fun as hell, in a broader way that's common to almost all sequels. having eva green and josh brolin in this is some of the most egregious stunt-casting you'll ever see; it's pastiche with a playful heart. i don't believe in guilty pleasures... and yet...
So damn manly.
Men going around smashing other men. Big muscly scary men. Pulling each other's eyes out, throwing them through windows, kicking them in the manhood. The manliest place to kick a man.
Sure, the women get to jump around and have fun murdering too – "strong female characters"? – no, they're without exception motivated, defined even, by the big muscly scary men they're in love with.
Nothing original, nothing emotional, nothing clever. Lots of face-smashing.
It looks nice, though.
Action! - Three Auteurs: El Campamento De Robert Rodriguez
Whenever I critique a film, the first thing I usually do is try to judge it not so much based on what I would like it to be but rather on what I think the film's goals are. As such, if this sequel aims to be less of a conventional film and more of an exercise in style and editing, then the film is a resounding success, because even though its aesthetics and tricks are not as new as when they were first introduced, there are still wonderful moments and sequences that left me speechless. The direction is equally great from Frank Miller and Rodriguez, with the latter bringing a certain…
Like a 13-year-old boy having a wet dream during THE BIG SLEEP.
My full review on Little White Lies: www.littlewhitelies.co.uk/theatrical-reviews/sin-city-2-a-dame-to-kill-for-27569
Back in 2005 when Frank Miller & Robert Rodriguez teamed up to transition Miller's graphic novel Sin City into a live-action motion picture, it was hailed by critics & viewers alike as a groundbreaking cinematic feat that brought on screen something never done before, never seen before & never experienced before. Nine years later arrives its long-awaited sequel & it isn't as bad as its reception reflects.
Maybe it was my low expectations due to early disappointing reviews that did the trick but I had a wonderful time with this film as it has the style that made its predecessor an instant classic, the stories are fairly good & although it lacks the freshness of the original, it still makes up for one entertaining ride.…
Oh Dios mío, ¡es Lady Gaga! 🦈
De hecho, esto debería ser considerado una chick flick. Es una hora con cuarenta minutos de mujeres matando hombres, dándoles palizas a los misóginos de Josh Brolin y Mickey Rourke, viéndose lo más sensuales y cool haciéndolo. Aparte, Jessica Alba bailando, lo cual ningún hombre merece ver.
This might not be a popular opinion, but I have to say I prefer this Sin City sequel to the original. The film retains the visual style that made Sin City such an experience, but other elements are scaled back. Some of the characters feel toned down and the ridiculous over the top action scenes are mostly absent, which is fine by me. This is much closer to real noir, with extra trashiness added in certain key areas. Furthermore, the stories featured here have much more variety than the three in the original: with the title track "A Dame to Kill For" taking the cake for best of the whole bunch. This one dominates the runtime and rightly so. It's…