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“Our Authors”: Tauchnitz’s Acquisition Strategies from Bulwer-Lytton and Florence Marryat to Arnold Bennett

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Abstract

In addition to the clever entrepreneurial exploitation of copyright developments in the nineteenth century, the various strategies for recruiting authors were a major guarantee for the long-lasting success of the Collection of British and American Authors of the Leipzig publishing house Bernhard Tauchnitz, founded in 1837. For several generations, the ingenious acquisition schemes were remarkably in tune with changing market conditions and developments in literary taste. It shaped the good and long-lasting reputation of the German publishing house among English and American authors. In this chapter, three important strategies which dominated the developments of the Collection will be outlined: the acquisition models of Personal Contact and Friendship, of Commerce and Entertainment, and the one of Literary Reputation and Professionalism. For a better understanding, case studies of renowned authors such as Edward Bulwer-Lytton, Florence Marryat, and Arnold Bennett are applied to the respective model. As a consequence, it could be claimed that Tauchnitz publishers as a great international pocket book producer not only spread classical and popular literature at affordable prices, it also shaped the literary taste and even literary practices in Europe and beyond for decades.

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Notes

  1. 1.

    In his article “Bernhard Tauchnitz als interkultureller Akteur” in the publication Baron der englischen Bücher, Dietmar Böhnke points out that there are still some remains of the former archive existing; see Mienert et al. (2017, 48/49).

  2. 2.

    Festschriften (commemorative publications) were issued to mark important anniversaries of the publishing house and were both a historical retrospective of its development and an advertisement for its achievements.

  3. 3.

    In the following, “Collection” and “Edition” are used synonymously; from the year 1914 onwards, the official title “Collection of British Authors” was changed into “Collection of British and American Authors”.

  4. 4.

    Freiherr is a German noble title equivalent to the title Baron, which was also used synonymously in common parlance.

  5. 5.

    The then literary shooting star sent his son to Leipzig for apprenticeship and, in turn, accepted Tauchnitz’s son as a guest of his family in London (see Blees 2013, 8; also Böhnke, Chap. 9 in this book).

  6. 6.

    Bulwer-Lytton, G. P. R. James, and Lady Blessington signed immediately; Dickens, Disraeli, Ainsworth, Samuel Warren, and Captain Marryat agreed shortly after (cf. Todd and Bowden 2003, 4; Otto 1912, 16–17).

  7. 7.

    The obituary of Bernhard Tauchnitz, which the New York Times reprinted from the London Daily Telegraph, praises the publisher: “That Baron Tauchnitz was a lover as well as a purveyor of books, and that he had social as well as business capacities of a high order, is shown by the terms of friendship on which he stood with all the great English authors of his day” (New York Times, 1 September 1895).

  8. 8.

    “We dare to say that Pelham surpasses most novels of this kind, even if one must refrain from giving it the name of a work of art because of its inner nature. The tale lacks the actual artful intrigue and concatenation, but it captivates the reader and attracts him more and more by an extraordinary freshness of presentation, a very lively conception and an inexhaustible wit, as well as by the circumstance that the highest truth prevails in the descriptions of the great world, and that several real persons drawn from life play leading roles in it.” (cited in Zipser 1974, 183; translated by the author)

  9. 9.

    It seems to be no coincidence that the Schumann Brothers—one of them August, father of German composer Robert Schumann—were editing a pocket book series under the title Taschenbibliothek der ausländischen Classiker in neuen Verdeutschungen (Pocket Library of Foreign Classics in New German Translations), among them famous authors such as Walter Scott and Lord Byron, running up to 250 volumes before the publishing house was sold in 1837.

  10. 10.

    Historical Characters, Tauchnitz vol. 948 and The Life of Henry John Temple, Tauchnitz vol. 1128; Todd and Bowden (2003, 970).

  11. 11.

    The Poems of Owen Meredith, Tauchnitz vol. 1052 and Fables in Song, Tauchnitz vol. 1421; Todd and Bowden (2003, 996).

  12. 12.

    Moritz Fischer was certainly the most important authorized officer (Prokurist) under the executive management of Bernhard Tauchnitz sen.; Fischer’s position was confirmed in 1866 when Tauchnitz jun. entered the board; it ended in 1877. He was replaced by Gustav Zierold from 1885 until 1899. (The circulars and letters with the corresponding dates are contained in the collection of booksellers’ business circulars of the Börsenverein library of the Börsenverein des Deutschen Buchhandels, Frankfurt am Main in the collections of the German National Library.)

  13. 13.

    The publishing house Friedrich Vieweg und Sohn, Braunschweig, organized an edition of the Complete Works in the series Bibliothek der neusten und besten Romane der englischen Literatur (Library of the Newest and Best Novels of English Literature) in the years 1837–1840 in a translation by Dr G.N. Bärmann, which amounted to over 50 volumes (Der Verlag Friedrich Vieweg & Sohn – 1786–1986. Braunschweig/Wiesbaden: Vieweg, 1986).

  14. 14.

    “Who brings a lot, brings something that will pass; And everyone goes home contentedly” (Goethe, Faust I, Verse 97–98).

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Welz, S. (2024). “Our Authors”: Tauchnitz’s Acquisition Strategies from Bulwer-Lytton and Florence Marryat to Arnold Bennett. In: Mienert, M., Welz, S., Böhnke, D. (eds) The Tauchnitz Edition and Related Paperback Series. New Directions in Book History. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-69324-3_7

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  • DOI: https://doi.org/10.1007/978-3-031-69324-3_7

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