In Review Online | Film & Music Criticism

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Sweet Dreams — Ena Sendijarevic

A pregnant woman nearing delivery self-pleasures by rubbing her privates against a bedpost. An attempted murder, in a flavor reminiscent of the book of…

In Flames — Zarrar Kahn

There are two films that writer-director Zarrar Kahn struggles to reconcile in his feature-length debut In Flames. The first, a domestic drama about women…

Yannick — Quentin Dupieux

With Yannick, filmmaker and absurdist Quentin Dupieux has synthesized the irreverent, a product of his usual gags and conceits, and the satirical, afforded by…

Housekeeping for Beginners — Goran Stolevski

Although Goran Stolevski’s third film only features one gay sex scene and next to no same-sex romantic intimacy, Housekeeping for Beginners has a claim…

Wes Is Dying — Parker Seaman

Fewer subgenres in recent memory have had a more fleeting window of viability, if ever it even really existed, than the “pandemic film.” Beyond…

Credit: Katharina Schelling/Katharina Lüdin

by InRO Staff• Featured• Festival Coverage• Film

New Directors/New Films 2024: Of Living Without Illusion, Dreaming & Dying, The Good Place

April 11, 2024

Of Living Without Illusion A long take is a relationship. It looks still and it contains and collides all its insides. Details from earlier — in…

Credit: Emo Weemgoff / Lemming Film / Dekanalog

by Joshua Polanski• Featured• Film• Horizon Line

Sweet Dreams — Ena Sendijarevic

April 15, 2024

Credit: Game Theory Films

by Daniel Gorman• Featured• Film• Genre Views

In Flames — Zarrar Kahn

April 15, 2024

Credit: Mubi

by Morris Yang• Featured• Film• Streaming Scene

Yannick — Quentin Dupieux

April 13, 2024

by Joshua Polanski• Featured• Film• Horizon Line

Housekeeping for Beginners — Goran Stolevski

April 12, 2024

Wes Schlagenhauf Is Dying — Parker Seaman

Credit: Tribeca Film Festival

Before We Vanish• by Luke Gorham• Featured• Film

Wes Is Dying — Parker Seaman

April 12, 2024

Credit: Cameron Worden

by Andrew Reichel• Featured• Film

Shorts Program II:The Night of the Minotaur, The Porn Selector, Digital Devil Saga [NF/ND ’24 Review]

April 11, 2024

Credit: Katharina Lüdin

by Frank Falisi• Featured• Film

Of Living Without Illusion — Katharina Lüdin [NF/ND ’24 Review]

April 11, 2024

Credit: Katharina Huber

by Daniel Gorman• Featured• Film

A Good Place — Katharina Huber [NF/ND ’24 Review]

April 11, 2024

Credit: Linda Venturini

by Michael Sicinski

The Permanent Picture — Laura Ferrés [NF/ND ’24 Review]

April 11, 2024

Credit: Ronaldo Dimer Filmes de Plastico

by Michael Sicinski• Featured• Film

The Day I Met You — André Novais Oliveira [NF/ND ’24 Review]

April 11, 2024

Credit: Murray Close

Blockbuster Beat• by Matt Lynch• Featured• Film

Civil War — Alex Garland

April 11, 2024

Credit: Artemis Shaw/Arashanth Kamalakanthan/Los Angeles Festival of Movies

by Ryan Coleman• Featured• Film

New Strains — Artemis Shaw & Prashanth Kamalakanthan [LAFM ’24 Review]

April 10, 2024

Credit: Tana Gilbert Fernández/Los Angeles Festival of Movies

by Ryan Coleman• Featured• Film

Malqueridas — Tana Gilbert Fernández [LAFM ’24 Review]

April 10, 2024

Credit: Searchlight Pictures

by Ayeen Forootan• Featured• Film• Streaming Scene

The Greatest Hits — Ned Benson

April 9, 2024

Credit: Cannes Film Festival

by Sarah Williams• Featured• Film• Horizon Line

Omen — Baloji

April 9, 2024

Credit: Lorenzo Sisti/Netflix

by Selina Lee• Featured• Film• Streaming Scene

Ripley — Steve Zallian

April 8, 2024

by Alex Fields• Essays• Feature Articles• Featured• Film

Light, Time, and Space: The Eclipse Films of Kevin Jerome Everson

April 7, 2024

Credit: Locarno Film Festival

by Joshua Bogatin• Feature Articles• Featured• Film• Interviews

Am I Really Doing Cinema?: An Interview with Lav Diaz

April 5, 2024

Credit: Akhirwan Nurhaidir/Universal Pictures

Blockbuster Beat• by Matt Lynch• Featured• Film

Monkey Man — Dev Patel

April 5, 2024

Credit: NYFF/Film at Lincoln Center

by Morris Yang• Featured• Film• Spotlight

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