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The Rhapsodes: How 1940s Critics Changed American Film Culture
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With The Rhapsodes, renowned film scholar and critic David Bordwell—an heir to both those legacies—restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the “Rhapsodes” for the passionate and deliberately offbeat nature of their vernacular prose. Each broke with prevailing currents in criticism in order to find new ways to talk about the popular films that contemporaries often saw at best as trivial, at worst as a betrayal of art. Ferguson saw in Hollywood an engaging, adroit mode of popular storytelling. Agee sought in cinema the lyrical epiphanies found in romantic poetry. Farber, trained as a painter, brought a pictorial intelligence to bear on film. A surrealist, Tyler treated classic Hollywood as a collective hallucination that invited both audience and critic to find moments of subversive pleasure. With his customary clarity and brio, Bordwell takes readers through the relevant cultural and critical landscape and considers the critics’ writing styles, their conceptions of films, and their quarrels. He concludes by examining the profound impact of Ferguson, Agee, Farber, and Tyler on later generations of film writers.
The Rhapsodes allows readers to rediscover these remarkable critics who broke with convention to capture what they found moving, artful, or disappointing in classic Hollywood cinema and explores their robust—and continuing—influence.
- Print length176 pages
- LanguageEnglish
- PublisherUniversity of Chicago Press
- Publication dateApril 4, 2016
- Dimensions6 x 0.46 x 9 inches
- ISBN-10022635220X
- ISBN-13978-0226352206
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Editorial Reviews
Review
“In this wonderfully engaging history, Bordwell looks at the DNA of American film criticism to show how four film-lovers-turned-movie-critics helped lead a revolution in contemporary thought. Going wide and deep, with expressive detail and unforced historical sweep, Bordwell shows how the four men he calls the Rhapsodes—Otis Ferguson, James Agee, Manny Farber and Parker Tyler— by taking movies seriously (if rarely themselves), made an argument for the movies that demolished old high-low snobberies and ushered in a new age of cinephilia. Bordwell, one of our greatest film historians and theorists, proves yet again that he’s also one of our greatest critics.” -- Manohla Dargis, co-chief film critic, New York Times
"This marvelously readable, refreshing book is both enlightening and hugely entertaining. Bordwell, our preeminent bridge between scrupulous film scholarship and lively, accessible prose style, has outdone himself with this much-needed study of four pioneering film critics. Most impressive is the generous spirit with which he appreciates the characteristics and virtues of each writer, who are very different one from another (and from himself), while simultaneously setting their accomplishments in a broader context of the history of American criticism and popular taste. In doing so, he shows he is their peer as well as their grateful inheritor." -- Phillip Lopate
Bordwell pays homage to a generation of critics lost to time and reintroduces them to a modern audience—those who read this book will be grateful.” ― Library Journal Published On: 2016-04-25
“Illuminating. . . . Bordwell probes each critic’s work and shows how they took mainstream Hollywood film, and writing about it, seriously.” ― Publishers Weekly Published On: 2016-04-25
“The Rhapsodes is imminently readable, a slim volume that slips in your backpack just as easily as it slips into serious film discourse.” ― Isthmus Published On: 2016-04-25
“If you have a driving or even just a drive-by interest in arts criticism, film writing and the love we share for all kinds of movies, The Rhapsodes is a swift, terrific read.” -- Michael Phillips ― Chicago Tribune Published On: 2016-04-26
“The primary pleasure of this book comes from Bordwell’s appreciation of the originality of these writers, the way each of them constructed a distinctive prose whose mixing of unlike elements calls to mind that homemade world that the critic Hugh Kenner discerned in the poetry of William Carlos Williams and Wallace Stevens. There is real enthusiasm, and valuable guidance, in Bordwell’s tour, as he plucks out particularly lively or audacious passages. He walks us through the literature with an admirably light step, pointing out highlights and connecting dots, and, as he goes, filling in some of the background of the 1940s intellectual milieu in which these men worked. . . . The Rhapsodes elicits an awareness of just how much expressive energy was pouring out on the movie screens of America in pictures that many continued to regard as disposable time killers.” -- Geoffrey O'Brien ― Artforum Published On: 2016-05-02
“While each of the subjects of The Rhapsodes has come in for their appreciation in turn at one time or another, Bordwell’s unique accomplishment is to situate them within the larger context of American arts journalism. . . . As one reasonably well-acquainted with all of Bordwell’s Rhapsodes, much information here was new to me. . . . There are also Bordwell’s typically lucid close reads of each writer’s idiosyncratic style. . . . This slim volume is worth an even dozen critic memoirs—and in recounting Ferguson’s call to arms for a film criticism worthy of its subject, it sounds a reveille of its own.” -- Nick Pinkerton ― Sight & Sound Published On: 2016-05-02
“In The Rhapsodes, [Bordwell’s] applied his sharp analytic eye not just to the arguments put forth by his four subjects but also—and this may be the most fun part of the book—to their prose.” ― Fandor Published On: 2016-05-02
“Highly entertaining. . . . [Bordwell] is equally attentive to the four writers’ idiosyncratic prose styles and to the strategies they used to argue that mainstream movies were an art form worthy of serious study.” ― Library of America Published On: 2016-05-05
"The Rhapsodes, besides being a pleasure to read, makes a sophisticated contribution to the study of film criticism." ― Cineaste Published On: 2016-09-08
About the Author
Product details
- Publisher : University of Chicago Press
- Publication date : April 4, 2016
- Edition : Illustrated
- Language : English
- Print length : 176 pages
- ISBN-10 : 022635220X
- ISBN-13 : 978-0226352206
- Item Weight : 9.3 ounces
- Dimensions : 6 x 0.46 x 9 inches
- Best Sellers Rank: #279,995 in Books (See Top 100 in Books)
- #38 in Surrealist Literary Criticism
- #570 in Movie History & Criticism
- #3,435 in Writing, Research & Publishing
- Customer Reviews:
About the author

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His web site is www.davidbordwell.net.
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- 5 out of 5 stars
As always, an excellent survey from this great film scholar
Reviewed in the United States on April 29, 2024Though short, this is a lovingly researched and clearly written survey of the major American film critics from the 1930s and 1940s. The book is packed with so many insights into how film became a central cultural phenomenon in the United States during that period, and how critics like Otis Ferguson, James Agee and Manny Farber were able to write about the films and helped establish film criticism as an important social entity.
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Pyrotechnic commentary about early film reviewers and the films they critique.
Reviewed in the United States on July 20, 2016Bordwell consistently makes the important point that serious criticism of films not only improves the quality of films going forward but sets up a new literary genre. He targets some early reviewers, Agee, Ferguson are two who are highlighted with quotes from their works. The bonus is the dazzling writing by Bordwell himself. This small book is packed with interesting tidbits as well as constructive commentary. A bit specialized but for us film lovers there can never be too many details about movies.
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Mark5 out of 5 starsFive Stars
Reviewed in the United Kingdom on January 13, 2017excellent
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