Horrible Imaginings

Horrible Imaginings Fritz Leiber Copyright © 2004 the Estate of Fritz Leiber Published by E-Reads. All rights reserved. www.ereads.com Introduction © 2004 John Pelan “Horrible Imaginings” originally appeared in Death, 1982 Playboy Publishing “The Automatic Pistol” originally appeared in Weird Tales, May 1940 “Crazy Annaoj” originally appeared in Galaxy, February 1968 “The Hound” originally appeared in Weird Tales, November 1942 “Alice and the Allergy” originally appeared in Weird Tales, September 1946 “Skinny’s Wonderful” original to this collection “Answering Service” originally appeared in Worlds of If, December 1967 “Scream Wolf” originally appeared in Mike Shayne’s Mystery Magazine, February 1961 “Mysterious Doings in the Metropolitan Museum” originally appeared in Universe 5, 1974 Random House “When Brahma Wakes” originally appeared in Fantastic, January 1968 “The Glove” originally appeared in Whispers, June 1975 “The Girl With Hungry Eyes” originally appeared in The Girl With Hungry Eyes 1949 Avon Books “While Set Fled” originally appeared in Amra #15, 1961 “Diary in the Snow” originally appeared in Night’s Black Agents 1947 Arkham House “The Ghost Light” originally appeared in The Ghost Light 1984 Berkley Books Acknowledgements The editor would like to acknowledge the invaluable assistance of Catherine Brown, Richard Curtis, Stefan Dziemianowicz, Allen Koszowski, Brian Metz of Green Rhino Graphics, Kathy Pelan, & David Read in the preparation of this volume. Imagine, if you will... Obviously, the author of these tales needs little introduction. Fritz Leiber was a master of imaginative fiction and a profound influence on the genres of horror, science fiction, and heroic fantasy. As comfortable putting his own unique spin on H.P. Lovecraft’s as he was creating his own worlds, Leiber’s stories display a rare mastery in all the fields he touched. This collection is another volume of his darker tales, selected from different points in a forty-year career. From his 1940 tale “The Automatic Pistol” to “The Ghost Light” from 1984, this collection presents a retrospective sampling of Leiber’s horror fiction. No doubt there are some familiar pieces here; certainly several of these stories have been frequently anthologized and will be familiar to Leiber fans. However, we are pleased to offer up a selection of stories that had vanished into relative obscurity. His short fantasies “When Brahma Wakes” and “When Set Fled” are minor masterpieces of the short-short form. One tale was discovered among the Leiber papers and to my knowledge has never seen prior publication. “Skinny’s Wonderful” was found with a note from Leiber’s agent implying that he expected a sale to Esquire to be forthcoming… To the best of my knowledge, this sale never took place and the story languished in an envelope, unsubmitted elsewhere. Esquire’s loss is our gain; “Skinny’s Wonderful” is an excellent Hitchcockian piece that shows Leiber’s excellence at the straight psychological suspense tale to great effect. Another rare inclusion is the short and poignant sword and sorcery tale “When Set Fled” from a 1961 issue of the Robert E. Howard journal Amra. “Scream Wolf” is another suspense tale, this time from the often-excel- lent Mike Shayne’s Mystery Magazine. MSMM has undeservedly fallen into obscurity under the larger shadow of Alfred Hitchcock’ Mystery Magazine, but a perusal of 1960s and 1970s issues yields some nice surprises. In any given issue you may find stories by Weird Tales alumni such as Robert Bloch, Carl Jacobi, Theodore Sturgeon, and even Robert Barbour Johnson; to say nothing of early appearances by modern masters like Richard Laymon and Gary Brandner. These are essentially the oddball items in this collection; assuming that you bought the first two Midnight House volumes of Leiber, you’re here for the horror… I must apologize and explain the somewhat eclectic nature of this series. When we began, we foolishly assumed that one or two volumes collecting rarer pieces would be adequate and that two volumes each of SF and horror would pretty well cover things. Such has been the popularity of the series that we’ve decided to forge ahead and collect all of Leiber’s non-Gray Mouser tales. There will be one such story published, but it’s the early, never-before- published version of “Adept’s Gambit”, written as a Cthulhu Mythos tale! Sadly, I did not discover until well into the third book that Fritz had assembled a horror collection entitled Thirteen Dark Dreads. We will offer this title in 2005, but due to several of the stories appearing elsewhere, the contents will be radically different from what Fritz had envisioned. To that I can only offer up an apology for my eagerness to get The Black Gondolier and Smoke Ghost into print, and hope that you, the reader find that the dark dreads I’ve selected meet with your approval. The other tales from this volume may be familiar to a large extent; “The Automatic Pistol” was so overshadowed by “Smoke Ghost” that many have forgotten what an excellent early story this was. Other inclusions from the Weird Tales years are “The Hound” and “Alice and the Allergy”. I’ve tended to leave aside the entire decade of the 1950s in favor of presenting early and still vital work which may be contrasted with three of Leiber’s latter-day masterpieces. In the 1970s and 1980s Stuart Schiff’s phenomenal little magazine Whispers was an infrequently published delight, everything that Weird Tales should have been. Artists included the great Lee Brown Coye and Frank Utpatel and authors read like a who’s who of the time period. Leiber, King, Campbell, Strieber, Wellman, Aickman, and newer authors like Karl Edward Wagner. David Campton, David Drake, and many others. Leiber’s story “The Glove” remains one of the most fondly remembered tales from that great magazine. Editor Schiff was able to parlay his success from Whispers into a series of anthologies, while the Whispers series drew mainly from the magazine, his anthology Death was a non-themed horror anthology, he rounded up some top-flight authors that he knew could deliver the goods and left them to write whatever pleased them at whatever length. Fritz Leiber responded with the remarkable titular novella of this collection. A story which was also selected as best of the year for 1982 in The Century’s Best Horror. There’s little I can say about “The Girl with the Hungry Eyes”, that hasn’t already been remarked on by scores of critics. The quintessential 1950s horror story, it’s been reprinted a number of times and is readily available in many anthologies, but I thought it would be a shame to leave it out here. “Mysterious Doings at the Metropolitan Museum” is more likely to raise a smile than a shiver (at least on initial reading), it’s only after the book has been set aside and we start to wonder about the secret nature of things that the chill starts to set in and the horripilations begin. We end the book with a bit of a contrast, a story from early in Leiber’s career that I feel transcends its pulp tropes very effectively and we conclude with his last real masterpiece, “The Ghost Light”. “The Ghost Light” is an ambitious work that examines themes and motifs that have been present in Leiber’s work for years the dark magic of cities, alcoholism, loss, alienation, and of course our ability (or is it a need?) to create new ghosts for a modern era. For over forty years no one did a more effective job of showing us our new ghosts than did Fritz Leiber, here are few of them for your enjoyment... Do leave the light on and consider that the gray shape slowly detaching itself from the alley is probably just a shadow. Probably... John Pelan Midnight House Summer Solstice 2004 HORRIBLE IMAGININGS “Present fears are less than horrible imaginings.” —Macbeth Old Ramsey Ryker only commenced thinking about going to see (through one-way glass) the young women fingering their genitals after he started having the low-ceilinged dreams without light—the muttering dull black nightmares—but before he began catching glimpses of the vanishing young-old mystery girl, who wore black that twinkled, lurking in the first-floor ground-level corridors, or disappearing into the elevator, and once or twice slipping along the upstairs halls of the apartment tree (or skeleton) that is, with one exception, the sole scene of the action in this story, which does not venture farther, disturb the privacy of the apartments themselves, or take one step out into the noisy metropolitan street. Here all is hushed. I mean by the apartment tree all the public or at least tenant-shared space within the thirteen-floor building where Ryker lived alone. With a small effort you can visualize that volume of connected space as a rather repetitious tree (color it red or green if it helps, as they do in “You are here” diagrammatic maps; I see it as pale gray myself, for that is the color of the wallpaper in the outer halls, pale gray faintly patterned with dingy silver): its roots the basement garage where some tenants with cars rented space along with a few neighborhood shopkeepers and businessmen; its trunk the central elevator shaft with open stairway beside it (the owner of the building had periodic difficulties with the fire inspectors about the latter—they wanted it walled off with heavy self-closing doors at each floor; certainly a building permit would never have been granted today—or in the last three decades, for that matter—for such a lofty structure with an open stairwell); its branches the three halls, two long, one short, radiating out from the shaft-stairwell trunk and identical at each level except for minor features; from the top floor a sort of slanted, final thick branch of stairs led, through a stout door (locked on the outside but open on the inside—another fire regulation), to the roof and the strong, floored weatherproof shed holding the elevator’s motor and old-fashioned mechanical relays. But we won’t stir through that door either to survey the besmogged but nonetheless impressive cityscape and hunt for the odd star or (rarer still) an interesting window. At ground level one of the long corridors led to the street door; on the floors above, to the front fire escape. The other long ones led to the alley fire escape. The short hall was blind (the fire inspector would shake his head at that feature too, and frown). And then of course we should mention, if only for the sake of completists, the apartment tree’s micro-world, its tiniest twigs and leaflets, in a sense: all the cracks and crevices (and mouse-and rat-holes, if any) going off into the walls, ceilings, and floors, with perhaps some leading to more spacious though still cramped volumes of space. But it would be discourteous of us to wander—and so frivolously—through the strange labyrinthine apartment tree with its angular one- and two-bedroom forbidden fruit, when all the time Ramsey Ryker, a lofty, gaunt old man somewhat resembling a neatly dressed scarecrow, is waiting impatiently for us with his equally strange and tortuous problems and concerns. Of these, the black nightmares were the worst by far and also in a way the cause of, or at least the prelude to, all the others. Actually they were the worst nightmares in a restrained sort of way that Ramsey ever remembered having in the seven decades of his life and the only ones, the only dreams of any sort for that matter, without any visual element at all (hence the “black”), but only sound, touch, intramuscular feelings, and smell. And the black was really inky, midnight, moonless and starless, sooty, utter—all those words. It didn’t even have any of those faint churning points of light we see, some of them tinted, when we shut our eyes in absolute darkness and when supposedly we’re seeing rods and cones of our retina fire off without any photons of outside light hitting them. No, the only light in his nightmares, if any, was of the phantom sort in which memories are painted—a swift, sometimes extensive-seeming flash which starts to fade the instant it appears and never seems to be in the retina at all, something far more ghostly even than the nebular churnings that occur under the eyelids in the inkiest dark. He’d been having these nightmares every two or three nights, regular almost as clockwork, for at least a month now, so that they were beginning to seriously worry and oppress him. I’ve said “nightmares” up to now, but really there was only one, repeated with just enough changes in its details to convince him that he was experiencing new nightmares rather than just remembering the first. This made them more ominously terrifying; he’d know what was coming—up to a point—and suffer the more because of that. Each “performance” of his frightening lightless dream, on those nights when his unconscious decided to put on a show, would begin the same way. He would gradually become aware, as though his mind were rising with difficulty from unimaginable depths of sleep, that he was lying stretched out naked on his back with his arms extended neatly down his sides, but that he was not in his bed—the surface beneath him was too ridged and hard for that. He was breathing shallowly and with difficulty—or rather he discovered that if he tried to investigate his breathing, speed or slow it, expand his chest more fully, he ran the danger of bringing on a strangling spasm or coughing fit. This prospect frightened him; he tried never to let it happen. To check on this, explore the space around him, he would next in his dream try to lift up a hand and arm, stretch a leg sideways—and find out that he could not, that so far as any gross movement of limbs went he was paralyzed. This naturally would terrify him and push him toward panic. It was all he could do not to strain, thrash (that is, try to), gasp, or cry out. Then as his panic slowly subsided, as he schooled himself to quietly endure this limitation on his actions, he would discover that his paralysis was not complete, that if he went about it slowly he could move a bit, wag his head about an inch from side to side, writhe a little the superficial muscles and skin under his shoulders and down his back and buttocks and legs, stir his heels and fingertips slightly. It was in this way that he discovered that the hard surface under him consisted of rough laths set close together, which were very dusty—no, gritty. Next in his dream came an awareness of sound. At first it would seem the normal muttering hum of any big city, but then he’d begin to distinguish in it a faint rustling and an infinitesimal rapid clicking that was very much closer and seemed to get nearer each moment and he’d think of insects and spiders and he’d feel new terror gusting through him and there’d be another struggle to stave off hysteria. At this point in his dream he’d usually think of cockroaches, armies of them, as normal to big cities as the latter’s muttering sounds, and his terror would fade though his revulsion would mount. Filthy creatures! but who could be frightened of them? True, his dear wife, now dead five years, had had a dread of stepping on one in the dark and hearing it crunch. (That reaction he found rather hard to understand. He was, well, if not exactly pleasured, then well satisfied to step on cockroaches, or mash them in the sink.) His attention would then likely return to the muttering, growling, faintly buzzing, somehow nasal component of the general sound, and he’d begin to hear voices in it, though he could seldom identify the words or phrases—it was like the voices of a crowd coming out of a theater or baseball park or meeting hall and commenting and arguing droningly and wearily about what they’d just seen or heard. Male voices chiefly, cynical, sarcastic, deprecating, mean, sleepily savage, and ignorant, very ignorant, he’d feel sure. And never as loud or big as they ought to be; there was always a littleness about them. (Was his hearing impaired in his nightmares? Was he dreaming of growing deaf?) Were they the voices of depraved children? No, they were much too low—deep throat tones. Once he’d asked himself, “Midgets?” and had thought, rich in dream wisdom, “A man lying down is not even as tall as a midget.” After sound, odor would follow, as his senses were assaulted cumulatively. First dry, stale, long-confined—somehow so natural seeming he would be unaware of the scents. But then he would smell smoke and know a special pang of fright—was he to be burned alive, unable to move? And the fire sirens when the engines came, tinied by distance and by muffling walls, no larger than those of toys? But then he would identify it more precisely as tobacco smoke, the reeking smoke of cigars chiefly. He remembered how his dead wife had hated that, though smoking cigarettes herself. After that, a whole host of supporting odors: toilet smells and the cheap sharp perfumes used to balance those out, stinking old flesh, the fishy reek of unwashed sex, locker rooms, beer, disinfectants, wine-laden vomit—all fitting very nicely, too, with the ignorant low growling. After sound and odor, touch, living touch. Behind the lobe of his right ear, in his jaw’s recessed angle, where a branch of the carotid pulses close to the surface, there’d come an exploring prod from the tip of something about as big as a baby’s thumb, a pencil’s eraserhead, snout of a mouse or of a garter snake, an embryo’s fist, an unlit cigarette, a suppository, the phallus of a virile mannequin—a probing and a thrusting that did not stop and did not go away. At that point his dream, if it hadn’t already, would turn into full nightmare. He’d try to jerk his head sideways, throw himself over away from it, thrash his arms and legs, yell out unmindful of what it did to his breathing—and find that the paralysis still gripped him, its bonds growing tighter the more he struggled, his vocal cords as numb as if these were his life’s last gaspings. And then—more touches of the same puppet sort: his side, his thigh, between two fingers, up and down his body. The sounds and odors would get darker still as a general suffocating oppression closed in. He’d visualize grotesquely in imagination’s light- less lightning flashes, which like those of memory are so utterly different from sight, a crowd of squatty, groping male Lilliputians, a press of dark-jowled, thickset, lowbrowed, unlovely living dolls standing or leaning in locker-room attitudes, each one nursing with one hand beneath his paunch a half-erect prick with a casual lasciviousness and with the other gripping a beer can or cigar or both, while all the while they gargled out unceasingly a thick oozy stream of shitty talk about crime and sports and sex, about power and profit. He envisioned their tiny prick nubs pressing in on him everywhere, as if he were being wrapped tighter and tighter in a rubber blanket that was all miniscule elastic knobs. At this moment he would make a supreme effort to lift his head, reckless of heart attack, fighting for each fraction of an inch of upward movement, and find himself grinding his forehead and nose into a rough gritty wooden surface that had been there, not three inches above him, all the while, like the lid of a shallow coffin. Then, and only then, in that moment of intensest horror, he’d wake at last, stretched out tidily in his own bed, gasping just a little, and with a totally unjoyous hard-on that seemed more like the symptom of some mortal disease than any prelude to pleasure. The reader may at this point object that by entering Ramsey’s bedroom we have strayed beyond the apartment-tree limits set for the actions of this story. Not so, for we have been examining only his memories of his nightmares, which never have the force of the real thing. In this fashion we peered into his dream, perhaps into his bedroom, but we never turned on the light. The same applies to his thoughts about and reactions to those erections which troubled his nightmare wakings and which seemed to him so much more like tumorous morbid growths—almost, cancers—than any swellings of joy. Now Ramsey was sufficiently sophisticated to wonder whether his nightmares were an expression, albeit an unusual and most unpleasant one, of a gathering sexual arousal in himself, which his invariable waking hard-ons would seem to indicate, and whether the discharge of that growing sexual pressure would not result in the nightmares ceasing or at least becoming fewer in number and of a lesser intensity. On the one hand, his living alone was very thoroughgoing; he had formed no new intimacies since his wife’s death five years earlier and his coincidental retirement and moving here. On the other, he had a deep personal prejudice against masturbation, not on moral or religious grounds, but from the conviction that such acts demanded a living accomplice or companion to make them effectively real, no matter how distant and tenuous the relation between the two parties, an adventuring-out into the real world and some achievement there, however slight. Undoubtedly there were guilty shadows here—his life went back far enough for him to have absorbed in childhood mistaken notions of the unhealthiness of auto-eroticism that still influenced his feelings if not his intellect. And also something of the work-ethic of Protestantism, whereby everything had its price, had to be worked and sweated and suffered for. With perhaps—who knows?—a touch of the romantic feeling that sex wasn’t worth it without the spice of danger, which also required a venturing out beyond one’s private self. Now on the last occasion—about eight months ago—when Ramsey had noted signs of growing sexual tension in himself (signs far less grotesquely inappropriate, frightening, oppressive, and depressing than his current nightmares—which appeared to end with a strong hint of premature burial), he had set his imagination in a direction leading toward that tension’s relief by venturing some four blocks into the outer world (the world beyond the apartment tree’s street door) to a small theater called Ultrabooth, where for a modest price (in these inflated times) he could make contact with three living girls (albeit a voiceless one through heavy one-way glass), who would strip and display themselves intimately to him in a way calculated to promote arousal. (A pause to note we’ve once more gone outside the apartment tree, but only by way of a remembered venturing—and memory is less real even than dream, as we have seen.) The reason Ramsey had not at once again had recourse to these young ladies as soon as his nightmares began with their telltale terminal hard-ons, providing evidence of growing sexual pressure even if the peculiar nightmare contents did not, was that he had found their original performance, though sufficient for his purpose as it turned out, rather morally troubling and aesthetically unsatisfying in some respects and giving rise to various sad and wistful reflections in his mind as he repeated their performance in memory. Ducking through a small, brightly lit marquee into the dim lobby of Ultrabooth, he’d laid a $10 bill on the counter before the bearded young man without looking at him, taken up the $2 returned with the considerate explanation that this was a reduction for senior citizens, and joined the half-dozen or so silent waiting men who mostly edged about restlessly yet slowly, not looking at each other. After a moderate wait and some small augmentation of their number, there came a stirring from beyond the red velvet ropes as the previous audience was guided out a separate exit door. Ryker gravitated forward with the rest of the new audience. After a two-minute pause, a section of red rope was hooked aside, and they surged gently ahead into a shallow inner foyer from which two narrow dark doorways about fifteen feet apart led onward. Ryker was the fourth man through the left-hand doorway. He found himself in a dim, curving corridor. On his left, wall. On his right, heavy curtains partly drawn aside from what looked like large closets, each with a gloomy window at the back. He entered the first that was unoccupied (the second), fumbled the curtains shut behind him, and clumsily seated himself facing the window on the cubicle’s sole piece of furniture, a rather low barstool. Actually his booth wasn’t crampingly small. Ryker estimated its floor space as at least one half that of the apartment tree’s elevator, which had a six-person capacity. As his eyes became accommodated to the darkness of his booth and the dimness of the sizable room beyond, he saw that the latter was roughly circular and walled by rectangular mirrors, each of which, he realized, must be the window of a booth such as his own—except one window space was just a narrow curtain going to the floor. A wailing bluesy jazz from an unseen speaker gently filled his ears, very muted. The windows were framed with rows of frosted light bulbs barely turned on—must have them on a rheostat, he thought. The floor was palely and thickly carpeted, and there were a few big pale pillows set about. From the ceiling hung four velvet-covered ropes thinner than those in the lobby. Each ended in a padded leather cuff. He also noted uneasily two velvet-covered paddles, no larger than Ping-Pong ones, lying on one of the big pillows. The dimness made everything seem grimy, as though fine soot were falling continuously from the ceiling like snow. He sensed a stirring in the other booths, and he saw that a girl had entered the room of mirrors while he’d been intent on the paddles. At first he couldn’t tell whether she was naked or not, but then as she slowly walked out, hardly glancing at the mirrors, face straight ahead like a sleepwalker’s, the music began to come up and the lights too, brighter and brighter. He saw she was a blonde, age anywhere from nineteen to twenty-nine—how could you know for sure? He hoped nineteen. And she was wearing a net brassiere bordered by what looked like strips of white rabbit’s fur. A tiny apron of the same kind of fur hung down over her crotch, attached to some sort of G-string, and she wore short white rabbit’s fur boots. She yawned and stretched, looked around, and then swiftly removed these items of apparel, but instead of letting them fall or laying them down on one of the pillows, she carried them over to the curtained doorway which interrupted the wall of mirrors and handed them through to someone. They were taking no chances on the fur getting dirty—how many performances a day was it the girls gave? He also realized that the right- and left-hand passages to the booths didn’t join behind, as he’d imagined at first—there had to be an entry passage for the performer. Good thing he hadn’t tried go all the way around and check on all the booths before picking one—and maybe lost his. The vertical slit in the curtain widened, and the now naked blonde was joined by a naked brunette of the same undetermined youth. They embraced tenderly yet perfunctorily, as if in a dream, swaying with the music’s wails, then leaned apart, brushing each other’s small breasts, fingers lingering at the erecting nipples, then trailing down to touch each other’s clefts. They separated then and began to work their way around the booths, facing each mirror in turn, swaying and writhing, bumping and grinding, arching back, bellying toward. The brunette was across from him, the blonde off to his left and coming closer. His mouth was dry, his breaths came faster. He was getting a hard-on, he told himself, or about to. He was jealous about the time the blonde spent at each other window and yet somehow dreaded her coming. And then she was writhing in front of him, poker-faced, looking down toward him. Could she see him? Of course not!—he could see the windows across from him, and they just reflected his blank window. But suppose she bent down and pressed her face and flattening nose-tip against the glass, cupping her hands to either side to shut out light? Involuntarily he flinched backward, caught himself and almost as swiftly stretched his face forward to admire her breasts as she preened, trailing her fingers across them. Yes, yes, he thought desperately, dutifully, they were small, firm, not at all pendulous, big nippled with large aureoles, splendid, yes splendid, yes splendid... And then he was forcing his gaze to follow her hands down her slender waist past her belly button and pale pubic hair and stretch open the lips of her cleft. It was all so very confusing, those flaps and those ribbons of membrane, of glistening pinkish-red membrane. Really, a man’s genitals were much neater, more like a good and clear diagram, a much more sensible layout. And when you were young you were always in too much of a hurry to study the female ones, too damn excited, keyed up, overwhelmed by the importance of keeping a hard-on. That, and the stubborn old feeling that you mustn’t look, that was against the rules, this was dirty. With his wife he’d always done it in the dark, or almost. And now when you were old and your eyesight wasn’t so good anymore... One slender finger moved out from the bent stretching ones to point up, then down, to indicate clitoris and cunt. Whyn’t she point out her urethra too? It was somewhere there, in between. The clitoris was hard to make out in the midst of all that red squirming... And then without warning she had spun around, bent over, and was looking at him from between her spread legs, and her hand came back around her side to jab a finger twice at the shadowed sallow pucker of her anus, as if she were saying, “And here’s my asshole, see? My God, how long does it take you dumb bastards to get things straight?” Really, it was more like an anatomy lesson taught by a bored, clown-white cadaver than any sort of spicy erotic cocktail. Where was the faintest hint of the flirtatious teasing that in old times, Ryker recalled, gave such performances a point? Why, this girl had come in almost naked and divested herself of the scant remainder with all the romance of someone taking out dental plates before retiring. My God, was that how they got ready for the full act in private? Where was the slow unbuttoning, the sudden change of mind and buttoning up again? Where was the enthusiastic self-peek down her pulled-forward bodice followed by the smile and knowing wink that said, “Oh, boy, what I got down there! Don’t you wish... ?” Where was the teasing that overreached itself, the accidental exposure of a goody, pretended embarrassment, and the overhasty hiding of it, leading to further revelations, as one who covering her knees bares her rear end? Where the feigned innocence, prudish or naive? the sense of wicked play, precocious evil? Above all, where was the illusion that her body’s treasures were just that? her choicest possessions and her chiefest pride, secret ‘tween her and you, hoarded like miser’s gold, though shared out joyously and generously at the end? The girl, instead of graciously overhearing his racing thoughts (they must be audible!) and at least attempting to make some corrections for them in her behavior, last of all seized handholds at the corners of the window and set the soles of her feet against the sides and dangled there spread open and bent for a short while, rocking back and forth, like a poker-faced slender ape, so he could see it all at once after a fashion: asshole, cunt, and clitoris—and urethra—wherever that was. That was the show’s highpoint of excitement, or shock at any rate, for Ryker. Although a third girl appeared and the other two got her undressed and strung up by the padded straps on the velvet ropes, and did some things to her with their lips and tongues and the lightly brushing velvet paddles, that was the high point—or whatever. Afterward he slipped out into the street feeling very conspicuous, but even more relieved. He swore he’d never visit the ignorant place again. But that night he had awakened ejaculating in a wet dream. Afterward he couldn’t be quite sure whether his hand mightn’t have helped and what sort of dream it had been otherwise, if any—certainly not one of his troll-haunted, buried- alive nightmares. No, they were gone forever, or at any rate for the next five months. And then when they did come back, against all his hopes, and when they continued on, and when he found himself balanced between the nightmares and Ultrabooth, and the days seemed dry as dust, there had come the welcome interruption of the Vanishing Lady. The first time Ryker had seen her, so far as he could recall, they’d been at opposite ends of the long, low entry hall, a good forty feet apart. He had been fumbling for his key outside the street door, which was thick oak framing a large glass panel backed by metal tracery. She’d been standing in profile before the gray elevator door, the small window of which was lit, indicating the cage was at this floor. His gaze approved her instantly (for some men life is an unceasing beauty contest); he liked the way her dark knee-length coat was belted in trimly and the neat look of her head, either dark hair drawn in rather closely or a cloche hat. Automatically he wondered whether she was young and slender or old and skinny. And then as he continued to look at her, key poised before the lock, she turned her head in his direction and his heart did little fillip and shiver. She looked at me, was what he felt, although the corridor was dimly lit and from this far away a face was little more than a pale oval with eye-smudges—and now her hair or hat made it a shadowed oval. It told you no more about her age than her profile had. Just the same, it was now turned toward him. All this happened quite swiftly. But then he had to look down at the lock in order to fit his key into it (a fussy business that seemed to take longer with each passing year) and turn it (he sometimes forgot which way) and shove the door open with his other hand, and by that time she’d moved out of sight. She couldn’t have taken the elevator up or down, he told himself as he strode the corridor a little more briskly than was his wont, for the small glass window in its door still shone brightly. She must have just drifted out of sight to the right, where the stairs were and the brass-fronted mailboxes and the window and door to the manager’s office and, past those, the long and short back corridors of the ground floor. But when he reached that foyer, it was empty and the manager’s window unoccupied, though not yet dark and shuttered for the night. She must have gone up the stairs or to a back apartment on this floor, though he’d heard no receding footsteps or shutting door confirm that theory. Just as he opened the elevator door he got the funniest hunch that he’d find her waiting for him there—that she’d entered the cage while he’d been unlocking the front door, but then not pushed a button for a floor. But the cage was as empty as the foyer. So much for hunches! He pushed the 14 button at the top of the narrow brass panel, and by the time he got there, he’d put the incident out of his mind, though a certain wistfulness clung to his general mood. And he probably would have forgotten it altogether except that late the next afternoon, when he was returning from a rather long walk, the same thing happened to him all over again, the whole incident repeating itself with only rather minor variations. For instance, this time her eyes seen barely to stray in his direction; there wasn’t the same sense of a full look. And something flashed faintly at her chest level, as if she were wearing jewelry of some sort, a gemmed pendant—or brooch more likely, since her coat was tightly shut. He was sure it was the same person, and there was the same sense of instant approval or attraction on his part, only stronger this time (which was natural enough, he told himself later). And he went down the hall faster this time and hurried on without pausing to check the stairs and the back corridor, though his chance of hearing footsteps or a closing door was spoiled by the siren of an ambulance rushing by outside. Returning thoughtfully to the foyer, he found the cage gone, but it came down almost immediately, debarking a tenant he recognized—third or fourth floor, he thought—who said rather puzzledly in answer to a question by Ryker that he thought he’d summoned the elevator directly from One and it had been empty when it had reached his floor. Ryker thanked him and boarded the elevator. The cage’s silvered gray paper and polished fittings made it seem quite modern. Another nice touch was the little window in its door, which matched those in the floor doors when both were shut, so that you got a slow winking glimpse of each floor as you rose past—as Ryker now glimpsed the second floor go down. But actually it was an ancient vehicle smartened up, and so was the system that ran it. You had to hold down a button for an appreciable time to make the cage respond, because it worked by mechanical relays in the elevator room on the roof, not by the instant response to a touch of electronic modern systems. Also, it couldn’t remember several instructions and obey them in order as the modern ones could; it obeyed one order only and then waited to be given the next one manually. Ryker was very conscious of that difference between automatic and manual. For the past five years he had been shifting his own bodily activities from automatic to manual: running (hell, trotting was the most you could call it!—a clumping trot), going down stairs, climbing them, walking outside, even getting dressed and—almost—writing. Used to be he could switch on automatic for those and think about something else. But now he had to do more and more things a step at a time, and watching and thinking about each step too, like a baby learning (only you never did learn; it never got automatic again). And it took a lot more time, everything did. Sometimes you had to stand very still even to think. Another floor slowly winked by. Ryker caught the number painted on the shaft side of its elevator door just below that door’s little window—5. What a slow trip it was! Ryker did a lot of his real thinking in this elevator part of the apartment tree. It wasn’t full of loneliness and ambushing memories the way his apartment was, or crawling with the small dangers and hostilities that occupied most of his mind when he was in the street world outside. It was a world between those, a restful pause between two kinds of oppression, inhabited only by the mostly anonymous people with whom he shared his present half-life, his epilogue life, and quite unlike the realer folk from whom he had been rather purposefully disengaging himself ever since his wife’s and his job’s deaths. They were an odd lot, truly, his present fellow-inhabitants of the apartment tree. At least half of them were as old as he, and many of them engaged in the same epilogue living as he was, so far as he could judge. Perhaps a quarter were middle-aged; Ryker liked them least of all—they carried tension with them, things he was trying to forget. While rather fewer than a quarter were young. These always hurried through the apartment tree on full automatic, as if it were a place of no interest whatever, a complete waste of time. He himself did not find it so, but rather the only place where he could think and observe closely at the same time, a quiet realm of pause. He saw nothing strange in the notion of ghosts (if he’d believed in such) haunting the neighborhood where they’d died— most of them had spent their last few years studying that area in greatest detail, impressing their spirits into its very atoms, while that area steadily grew smaller, as if they were beetles circling a nail to which they were tethered by a thread that slowly wound up, growing shorter and shorter with every circumambulation they made. Another floor numeral with its little window slid into and out of view—8 only. God, what snaillike, well-frog pace! The only denizen of the apartment tree with whom Ryker had more than a recognition acquaintance (you could hardly call the one he had with the others nodding, let alone speaking) was Clancy, rough-cut manager-janitor of the building, guardian of the gates of the apartment tree and its historian, a retired fireman who managed to make himself available and helpful without becoming oppressive or officious. Mrs. Clancy was an altogether more respectable and concierge-like character who made Ryker feel uncomfortable. He preferred always to deal with her husband, and over the years a genuine though strictly limited friendship (it never got beyond “Clancy” and “Mr. Ryker”) had sprung up between them. The figure 12 appeared and disappeared in the window. He kept his eyes on the empty rectangle and gave an accustomed chuckle when the next figure was 14, with none intervening. Superstition, how mighty, how undying! (Though somehow the travel between the last two floors, Twelve and Fourteen, always seemed to take longest, by a fraction. There was food for thought there. Did elevators get tired?—perhaps because the air grew more rarified with increased altitude?) The window above the 14 steadied. There was a clicking; the gray door slid open sideways, he pushed through the outer door, and as he did so, he uttered another chuckle that was both cheerful and sardonic. He’d just realized that after all his journeying in the apartment tree, he’d at last become interested in one of his nameless traveling companions. The elevator-tree world also held the Vanishing Lady. It was surprising how lighthearted he felt. As if in rebuke for this and for his springing hopes not clearly defined, he didn’t see the Vanishing Lady for the next three days, although he devised one or two errands for himself that would bring him back to the apartment tree at dusk, and when he did spot her again on the fourth day, the circumstances were altered from those of their first two encounters. Returning from another of his little twilight outings and unlocking the heavy street door, he noted that the hall and distant foyer were a little bit dimmer than usual, as if some small, normal light source were gone, with the effect of a black hole appearing suddenly in the fabric of reality. As he started forward warily, he discerned the explanation. The doors to the elevator were wide open, but the ceiling light in the cage had been switched (or gone) off, so that where a gray door gleaming by reflection should have been, there was an ominous dark upright rectangle. And then, as he continued to advance, he saw that the cage wasn’t empty. Light angling down into it from the foyer’s ceiling fixture revealed the slender figure of the Vanishing Lady leaning with her back against the cage’s wall just behind the column of buttons. The light missed her head, but showed the rest of her figure well enough, her dejected posture, her motionless passivity. As he imperceptibly quickened his stride straight toward her, the slanting light went on, picking up bits of detail here and there in the gloom, almost as if summoning them: the glossy gleam of black oxfords, the muted one of black stockings, and the in-between sheen of her sleek coat. The nearest black-gloved hand appeared to be clutching that together snugly, and from the closure there seemed to come faint diamond glimmers like the faintest ghost of a sparkler shower, so faint he couldn’t be sure whether it was really there, or just his own eyes making the churning points of light there are in darkness. The farthest jetty hand held forward a small brass object which he first took for an apartment door key got out well in advance (as some nervous people will) but then saw to be a little too narrow and too long for that. He was aware of a mounting tension and breathlessness— and sense of strangeness too. And then without warning, just as he was about to enter the cage and simultaneously switch its light on, he heard himself mutter apologetically, “Sorry, I’ve got to check my mailbox first,” and his footsteps veered sharply but smoothly to the right with never a hesitation. For the next few seconds his mind was so occupied with shock at this sudden rush of timidity, this flinching away from what he’d thought he wanted to do, that he actually had his keys out, was advancing the tiny flat one toward the brass-fronted narrow box he’d checked this noon as always, before he reversed his steps with a small growl of impatience and self-rebuke and hurried back past the manager’s shuttered window and around the stairs. The elevator doors were closed and the small window glowed bright. But just as he snatched at the door to open it, the bright rectangle narrowed from the bottom and winked out, the elevator growled softly as the cage ascended, and the door resisted his yank. Damn! He pressed himself against it, listening intently. Soon—after no more than five or six seconds, he thought—he heard the cage stop and its door clump open. Instantly he was thumbing the button. After a bit he heard the door clump shut and the growling recommence. Was it growing louder or softer—coming down or going away? Louder! Soon it had arrived, and he was opening the door—rather to the surprise of its emerging occupant, a plump lady in a green coat. Her eyebrows rose at his questions, rather as had happened on the previous such occasion. She’d been on Three when she’d buzzed for the elevator, she said. No, there’d been no one in it when it arrived, no one had got off, it had been empty. Yes, the light had been off in the elevator when it had come up, but she hadn’t missed anyone on account of that—and she’d turned it on again. And then she’d just gotten in and come down. Had he been buzzing for it? Well, she’d been pushing the button for One, too. What did it matter? She made for the street door, glancing back at Ryker dubiously, as if she were thinking that, whatever he was up to, she didn’t ever want that excited old man tracking her down. Then for a while Ryker was so busy trying to explain that to himself (Had there been time for her to emerge and shut the doors silently and hurry down the long hall or tiptoe up the stairs before the cage went up to Three? Well, just possibly, but it would have had to be done with almost incredible rapidity. Could he have imagined her—projected her onto the gloom inside the cage, so to speak? Or had the lady in green been lying? Were she and the Vanishing Lady confederates? And so on...) that it was some time before he began to try to analyze the reasons for his self-betrayal. Well, for one thing, he told himself, he’d been so gripped by his desire to see her close up that he’d neglected to ask himself what he’d do once he’d achieved that, how he’d make conversation if they were alone together in the cage—and that these questions popping up in his mind all at once had made him falter. And then there was his lifelong habit, he had to admit, of automatically shrinking from all close contact with women save his mother and wife, especially if the occasion for it came upon him suddenly. Or had he without knowing it become just a little frightened of this mysterious person who had stirred him erotically—the apartment tree was always dimly lit, there’d never been anyone else around when she’d appeared, there’d been something so woeful-melancholy about her attitude (though that was probably part of her attraction), and finally she had vanished three times unaccountably—so that it was no wonder he had veered aside from entering the elevator, its very lightlessness suggesting a trap. (And that made him recall another odd point. Not only had the light inside the elevator been switched off but the door, which always automatically swung shut unless someone held it open or set a fairly heavy object, such as a packed suitcase or a laden-large shopping bag, against it, had been standing open. And he couldn’t recall having seen any such object or other evidence of propping or wedging. Mysterious. In fact, as mysterious as his suffocation dreams, which at least had lessened in number and intensity since the Vanishing Lady had turned up.) Well, he told himself with another effort at being philosophical, now that he’d thought all these things through, at least he’d behave more courageously if a similar situation arose another time. But when the Vanishing Lady next appeared to Ramsey, it was under conditions that did not call for that sort of courage. There were others present. He’d come in from outside and found the empty cage ready and waiting, but he could hear another party just close enough behind him that he didn’t feel justified in taking off without them —though there’d been enough times, God knows, when he’d been left behind under the same circumstances. He dutifully waited, holding the door open. There had been times, too, when this politeness of his had been unavailing—when the people had been bound for a ground-floor apartment, or when it had been a lone woman and she’d found an excuse for not making her journey alone with him. The party finally came into view—two middle-aged women and a man—and the latter insisted on holding the door himself. Ryker relinquished it without argument and went to the back of the cage, the two women following. But the man didn’t come inside; he held the door for yet a third party he’d evidently heard coming behind them. The third party arrived, an elderly couple, but that man insisted on holding the door in his turn for the second man and his own ancient lady. They were six, a full load, Ryker counted. But then, just as the floor door was swinging shut, someone caught it from the outside, and the one who slipped in last was the Vanishing Lady. Ramsey mightn’t have seen her if he hadn’t been tall, for the cage was now almost uncomfortably crowded, although none of them were conspicuous heavyweights. He glimpsed a triangle of pale face under dark gleaming eyes, which fixed for an instant on his, and he felt a jolt of excitement, or something. Then she had whipped around and was facing front, like the rest. His heart was thudding and his throat was choked up. He knew the sheen of her black hair and coat, the dull felt of her close-fitting hat, and watched them raptly. He decided from the flash of face that she was young or very smoothly powdered. The cage stopped at the seventh floor. She darted out without a backward glance and the elderly couple followed her. He wanted to do something but he couldn’t think what, and someone pressed another button. As soon as the cage had resumed its ascent, he realized that he too could have gotten out on Seven and at least seen where she went in, discovered her apartment number. But he hadn’t acted quickly enough and some of these people probably knew he lived on Fourteen and would have wondered. The rest got out on Twelve and so he did the last floor alone— the floor that numerically was two floors, actually only one, yet always seemed to take a bit too long, the elevator growing tired, ha-ha-ha. Next day he examined the names on the seventh-floor mailboxes, but that wasn’t much help. Last names only, with at most an initial or two, was the rule. No indication of sex or marital status. And, as always, fully a third were marked only as OCCUPIED. It was safer that way, he remembered being told (something about anonymous phone calls or confidence games), even if it somehow always looked suspicious, vaguely criminal. Late the next afternoon, when he was coming in from the street, he saw a man holding the elevator door open for two elderly women to enter. He hurried his stride, but the man didn’t look his way before following them. But just at that moment, the Vanishing Lady darted into view from the foyer, deftly caught the closing door, and with one pale glance over her shoulder at Ryker, let herself in on the heels of the man. Although he was too far away to see her eyes as more than twin gleams, he felt the same transfixing jolt as he had the previous day. His heart beat faster too. And then as he hurried on, the light in the little window in the gray door winked out as the elevator rose up and away from him. A few seconds later he was standing in front of the electrically locked door with its dark little window and staring ruefully at the button and the tiny circular telltale just above it, which now glowed angry red to indicate the elevator was in use and unresponsive to any summons. He reproached himself for not having thought to call out, “Please wait for me,” but there’d hardly been time to think, besides it would have been such a departure from his normal, habitually silent behavior. Still, another self-defeat, another self-frustration, in his pursuit of the Vanishing Lady! He wished this elevator had, like those in office buildings or hotels, a more extensive telltale beside or over its door that told which floor it was on or passing, so you could trace its course. It would be helpful to know whether it stopped at Seven again this time—it was hard to hear it stop when it got that far away. Of course you could run up the stairs, racing it, if you were young enough and in shape. He’d once observed two young men who were sixth-floor residents do just that, pitting the one’s strong legs and two-or-three-steps-at-a-time against the other’s slow elevator—and never learned who won. For that matter, the young tenants, who were mostly residents of the lower floors, where the turnover of apartments was brisker, quite often went charging blithely up the stairs even when the elevator was waiting and ready, as if to advertise (along with their youth) their contempt for its tedious elderly pace. If he were young again now, he asked himself, would he have raced up after a vanished girl? The telltale went black. He jabbed the button, saw it turn red again as the cage obediently obeyed his summons. Next afternoon found him staring rather impatiently at the red telltale on the fourteenth floor, this time while waiting to travel to the ground floor and so out. And this time it had been red for quite some while, something that happened not infrequently, since the cage’s slow speed and low capacity made it barely adequate to service a building of this size. And while it stayed red it was hard to tell how many trips it was making and how long people were holding the door at one floor. He’d listened to numerous speculative conversations about “what the elevator was doing,” as if it had mind and volition of its own, which one humorist had indeed suggested. And there were supposed to be certain people (sometimes named and sometimes not) who did outrageous and forbidden things, such as jamming the floor door open while they went back to get things they’d forgotten, or picked up friends on other floors as they went down (or up), organizing an outing or party or having secret discussions and arguments before reaching the less private street. There were even said to be cases of people “pulling the elevator away” from other people who were their enemies, just to spite them. The most colorful theory, perhaps, was that held by two elderly ladies, both old buffs of elevator travel, whom Ramsey had happened to overhear on two or three occasions. The cornerstone of their theory was that all the building’s troubles were caused by its younger tenants and the teenage sons and daughters of tenants. “Mrs. Clancy told me,” one of them had whispered loudly once, “that they know a way of stopping the thing between floors so they can smooch together and shoot dope and do all sorts of other nasty things—even, if you can believe, go the whole way with each other.” Ryker had been amused; it gave the cage a certain erotic aura. And every once in a while the elevator did get stuck between floors, sometimes with people in it and sometimes not, especially between the twelfth and fourteenth floors, Clancy had once told him, “like it was trying to stop at the thirteenth!” But now the elevator’s vagaries weren’t all that amusing to Ramsey standing alone on the top floor, so after one more session of pettish button-pushing—the telltale had gone briefly black, but evidently someone else had beat him to the punch—he decided to “walk down for exercise,” something he’d actually done intentionally upon occasion. As he descended the apartment tree (he thought of himself as an old squirrel sedately scampering zigzag down the barky outside of the trunk the elevator shaft made), he found himself wondering how the elevator could be so busy when all the corridors were so silent and empty. (But maybe things were happening just before his footstep-heralded arrivals and after his departures—they heard him coming and hid themselves until he was by. Or maybe there was some sort of basement crisis.) The floors were all the same, or almost so: the two long corridors ending in doors of wire-reinforced glass which led to the front and alley fire escapes; these were also lit midway by frosted glass spheres like full moons hanging in space; in either wall beside these handsome globes were set two narrow full-length mirrors in which you could see yourself paced along by two companions. The apartment tree boasted many mirrors, a luxury note like its silver-arabesqued gray wallpaper. There was a large one opposite each elevator door and there were three in the lobby. As he ended each flight, Ramsey would look down the long alley corridor, make a U-turn, and walk back to the landing (glancing into the short corridor and the elevator landing, which were lit by a central third moon and one large window), all this while facing the long front corridor, then make another U-turn and start down the next flight. (He did discover one difference between the floors. He counted steps going down, and while there were nineteen between the fourteenth and the twelfth floors, there were only seventeen between all the other pairs. So the cage had to travel a foot and a bit farther to make that Fourteen-Twelve journey; it didn’t just seem to take longer, it did. So much for tired elevators!) So it went for nine floors. But when he made his U-turn onto the third floor he saw that the front corridor’s full moon had been extinguished, throwing a gloom on the whole passageway, while silhouetted against the wired glass at the far end was a swayed, slender figure looking very much like that of the Vanishing Lady. He couldn’t make out her pale triangle of face or gleaming eyes because there was no front light on her; she was only shaped darkness, yet he was sure it was she. In walking the length of the landing, however, there was time to think that if he continued on beyond the stairs, it would be an undeniable declaration of his intention to meet her, he’d have to keep going, he had no other excuse; also, there’d be the unpleasant impression of him closing in ominously, relentlessly, on a lone trapped female. As he advanced she waited at the tunnel’s end, silent and unmoving, a shaped darkness. He made his customary turn, keeping on down the stairs. He felt so wrenched by what was happening that he hardly knew what he was thinking or even feeling, except his heart was thudding and his lungs were gasping as if he’d just, walked ten stories upstairs instead of down. It wasn’t until he had turned into the second floor and seen through the stairwell, cut off by ceiling, the workshoes and twill pants of Clancy, the manager, faced away from him in the lobby, that he got himself in hand. He instantly turned and retraced his steps with frantic haste. He’d flinched away again, just when he’d sworn he wouldn’t! Why, there were a dozen questions he could politely ask her to justify his close approach. Could he be of assistance? Was she looking for one of the tenants? some apartment number? Etcetera. But even as he rehearsed these phrases, he had a sinking feeling of what he was going to find on Three. He was right. There was no longer a figure among the shadows filling the dark front corridor. And then, even as he was straining his eyes to make sure, with a flicker and a flash the full moon came on again and shone steadily. Showing no one at all. Ramsey didn’t look any further but hurried back down the stairs. He wanted to be with people, anyone, just people in the street. But Mr. Clancy was still in the lobby, communing with himself. Ramsey suddenly felt he simply had to share at least part of the story of the Vanishing Lady with someone. So he told Clancy about the defective light bulb inside the front globe on Three, how it had started to act like a globe that’s near the end of its lifetime, arcing and going off and on by itself, unreliable. Only then did he, as if idly, an afterthought, mention the woman he’d seen and then got to wondering about and gone back and not seen, adding that be thought he’d also seen her in the lobby once or twice before. He hadn’t anticipated the swift seriousness of the manager’s reaction. Ramsey’d hardly more than mentioned the woman when the ex-fireman asked sharply, “Did she look like a bum? I mean, for a woman—” Ramsey told him that no, she didn’t, but he hadn’t more than sketched his story when the other said, “Look, Mr. Ryker, I’d like to go up and check this out right away. You said she was all in black, didn’t you? Yeah. Well, look, you stay here, would you do that? And just take notice if anybody comes down. I won’t be long.” And he got in the elevator, which had been waiting there, and went up. To Four or Five, or maybe Six, Ramsey judged from the cage’s noises and the medium-short time the telltale flared before winking out. He imagined that Clancy would leave it there and then hunt down the floors one by one, using the stairs. Pretty soon Clancy did reappear by way of the stairs, looking thoughtful. “No” he said, “she’s not there anymore, at least not in the bottom half of the building—and I don’t see her doing a lot of climbing. Maybe she got somebody to take her in, or maybe it was just one of the tenants. Or...?” He looked a question at Ramsey, who shook his head and said, “No, nobody came down the stairs or elevator.” The manager nodded and then shook his own head slowly. “I don’t know, maybe I’m getting too suspicious,” he said. “I don’t know how much you’ve noticed, Mr. Ryker, living way on top, but from time to time this building is troubled by bums—winos and street people from south of here—trying to get inside and shelter here, especially in winter, maybe go to sleep in a corner. Most of them are men, of course, but there’s an occasional woman bum.” He paused and chuckled reflectively. “Once we had an invasion of women bums, though they weren’t that exactly.” Ramsey looked at him expectantly. Clancy hesitated, glanced at Ramsey, and after another pause said, “That’s why we turn the buzzer system off at eleven at night and keep it off until eight in the morning. If we left it on, why, any time in the night a drunken wino would start buzzing apartments until he got one who’d buzz the door open (or he might push a dozen at once, so somebody’d be sure to buzz the door), and once he was inside, he’d hunt himself up an out-of-the-way spot where he could sleep it off and be warm. And if he had cigarettes, he’d start smoking them to put him to sleep, dropping the matches anywhere, but mostly under things. There’s where your biggest danger is—fire. Or he’d get an idea and start bothering tenants, ringing theirs bells and knocking on their doors, and then anything could happen. Even with the buzzer system off, some of them get in. They’ll stand beside the street door and then follow a couple that’s late getting home, or the same with the newsboy delivering the morning paper before it’s light. Not following them directly, you see, but using a foot (sometimes a cane or crutch) to block the door just before it locks itself, and then coming in soon as the coast’s clear.” Ramsey nodded several times appreciatively, but then pressed the other with “But you were going to tell me something about an invasion of female bums?” “Oh, that,” Clancy said doubtfully. A look at Ramsey seemed to reassure him. “That was before your time—you came here about five years ago, didn’t you? Yeah. Well, this happened... let’s see... about two years before that. The Mrs. and I generally don’t talk about it much to tenants, because it gives... gave the building a bad name. Not really any more now, though. Seven years and all’s forgotten, eh?” He broke off to greet respectfully a couple who passed by on their way upstairs. He turned back to Ramsey. “Well, anyway,” he continued more comfortably, “at this time I’m talking about, the Mrs. and I had been here ourselves only a year. Just about long enough to learn the ropes, at least some of them. “Now there’s one thing about a building like this I got to explain,” he interjected. “You never, or almost never, get any disappearances—you know, tenants sneaking their things out when they’re behind on the rent, or just walking out one day, leaving their things, and never coming back (maybe getting mugged to death, who knows?)—like happens all the time in those fleabag hotels and rooming houses south of us. Why, half of their renters are on dope or heavy medication to begin with, and come from prisons or from mental hospitals. Here you get a steadier sort of tenant, or at least the Mrs. and I try to make it be like that. “Well, back then, just about the steadiest tenant we had, though not the oldest by any means, was a tall, thin, very handsome and distinguished-looking youngish chap, name of Arthur J. Stensor, third floor front. Very polite and soft-spoken, never raised his voice. Dark complected, but with blonde hair which he wore in a natural—not so common then; once I heard him referred to by another tenant as ‘that frizzy bleached Negro,’ and I thought they were being disrespectful. A sharp dresser but never flashy—he had class. He always wore a hat. Rent paid the first of the month in cash with never a miss. Rent for the garage space too—he kept a black Lincoln Continental in the basement that was always polished like glass; never used the front door much but went and came in that car. And his apartment was furnished to match: oil paintings in gold frames, silver statues, hi-fi, big-screen TV and the stuff to record programs and films off it when that cost, all sorts of fancy clocks and vases, silks and velvets, more stuff like that than you’d ever believe. “And when there was people with him, which wasn’t too often, they were as classy as he and his car and his apartment, especially the women—high society and always young. I remember once being in the third-floor hall one night when one of those stunners swept by me and he let her in, and thinking, ‘Well, if that filly was a call girl, she sure came from the best stable in town.’ Only I remember thinking at the same time that I was being disrespectful, because A. J. Stensor was just a little too respectable for even the classiest call girl. Which was a big joke on me considering what happened next.” “Which was?” Ramsey prompted, after they’d waited for a couple more tenants to go by. “Well, at first I didn’t connect it at all with Stensor,” Clancy responded, “though it’s true I hadn’t happened to see him for the last five or six days, which was sort of unusual, though not all that much so. Well, what happened was this invasion—no, goddammit! this epidemic—of good-looking hookers, mostly tall and skinny, or at least skinny, through the lower halls and lobby of this building. Some of them were dressed too respectable for hookers, but most of them wore the street uniform of the day—which was high heels, skintight blue jeans, long lace blouses worn outside the pants, and lots of bangles—and when you saw them talking together palsy-walsy, the respectable-looking and the not, you knew they all had to be.” “How did it first come to you?” Ramsey asked. “Tenants complain?” “A couple,” Clancy admitted. “Those old biddies who’ll report a young and good-looking woman on the principle that if she’s young and good-looking she can’t be up to any good purpose. But the really funny thing was that most of the reports of them came in just by way of gossip—either to me direct, or by way of the Mrs., which is how it usually works—like it was something strange and remarkable—which it was, all right! Questions too, such as what the hell they were all up to, which was a good one to ask, by the way. You see, they weren’t any of them doing anything to complain of. It was broad day and they certainly weren’t trying to pick anyone up, they weren’t plying their trade at all, you might say, they weren’t even smiling at anybody, especially men. No, they were just walking up and down and talking together, looking critical and angry more than anything, and very serious—like they’d picked our apartment building for a hookers’ convention, complete with debates, some sort of feminist or union thing, except they hadn’t bothered to inform the management. Oh, when I’d cough and ask a couple of them what they were doing, they’d throw me some excuse without looking at me—that they had a lunch date with a lady here but she didn’t seem to be in and they couldn’t wait, or that they were shopping for apartments but these weren’t suitable—and at the same time they’d start walking toward the street door, or toward the stairs if they were on the third or second floor, still gabbing together in private voices about whatever it was they were debating, and then they’d sweep out, still not noticing me even if I held the door for them. “And then, you know, in twenty minutes they’d be back inside! or at least I’d spot one of them that was. Some of them must have had front door keys, I remember thinking—and as it turned out later, some of them did.” By this time Mr. Clancy had warmed to his story and was giving out little chuckles with every other sentence, and he almost forgot to lower his voice next time a tenant passed. “There was one man they took notice of. I forgot about that. It could have given me a clue to what was happening, but I didn’t get it. We had a tenant then on one of the top floors who was tall and slim and rather good-looking—young-looking too, although he wasn’t—and always wore a hat. Well, I was in the lobby and four or five of the hookers had just come in the front door, debating of course, when this guy stepped out of the elevator and they all spotted him and made a rush for him. But when they got about a dozen feet away from him and he took off his hat—maybe to be polite, he looked a little scared, I don’t know what he thought—showing this wavy black hair which he kept dyed, the hookers all lost interest in him—as if he’d looked like someone they knew, but closer up turned out not to be (which was the case, though I still didn’t catch on then)—and they swept past him and on the stairs as if that was where they’d been rushing in the first place. “I tell you, that was some weird day. Hookers dressed all ways—classy-respectable, the tight-jeans and lacy-blouse uniform, mini-skirts, one in what looked like a kid’s sailor suit cut for a woman, a sad one all in black looking like something special for funerals... you know, maybe to give first aid to a newly bereaved husband or something.” He gave Ryker a quick look, continuing, “And although almost all of them were skinny, I recall there was a fat one wearing a mumu and swinging gracefully like a belly dancer. “The Mrs. was after me to call the police, but our owner sort of discourages that, and I couldn’t get him on the phone. “In the evening the hookers tapered off and I dropped into bed, all worn out from the action, the wife still after me to call the police, but I just conked out cold, and so the only one to see the last of the business was the newsboy when he came to deliver at four-thirty about. Later on he dropped back to see me, couldn’t wait to tell me about it. “Well, he was coming up to the building, it seems, pushing his shopping cart of morning papers, when he sees this crowd of good- looking women (he wasn’t wise to the hookers’ convention the day before) around the doorway, most of’ them young and all of them carrying expensive-looking objects—paintings, vases, silver statues of naked girls, copper kitchenware, gold clocks, that sort of stuff—like they were helping a wealthy friend move. Only there is a jam-up, two or three of them are trying to maneuver an oversize dolly through the door, and on that dolly is the biggest television set the kid ever saw and also the biggest record player. “A woman at the curb outside, who seems a leader, sort of very cool, is calling directions to them how to move it, close beside her is another woman, like her assistant or gopher maybe. The leader’s calling out directions, like I say, in a hushed voice, and the other women are watching, but they’re all very quiet, like you’d expect people to be at that hour of the morning, sober people at any rate, not wanting to wake the neighbors. “Well, the kid’s looking all around, every which way, trying ,to take in everything—there was a lot of interesting stuff to see, I gather, and more inside—when the gopher lady comes over and hunkers down beside him—he was a runt, that newsboy was, and ugly too—and wants to buy a morning paper. He hauls it out for her and she gives him a five-dollar bill and tells him to keep the change. He’s sort of embarrassed by that and drops his eyes, but she tells him not to mind, he’s a handsome boy and a good hardworking one, she wished she had one like him, and he deserves everything he gets, and she puts an arm around him and draws him close and all of a sudden his downcast eyes are looking inside her blouse front and he’s getting the most amazing anatomy lesson you could imagine. “He has some idea that they’re getting the dolly clear by now and that the other women are moving, but she’s going on whispering in his ear, her breath’s like steam, what a good boy he is and how grateful his parents must be, and his only worry, she’ll hug him so tight he won’t be able to look down her blouse. “After a bit she ends his anatomy lesson with a kiss that almost smothers him and then stands up. The women are all gone and the dolly’s vanishing around the next corner. Before she hurries after it, she says, ‘So long, kid. You got your bonus. Now deliver your papers.’ “Which, after he got over his daze, is what he did, he said. “Well, of course, as soon as he mentioned the big television and player, I flashed on what I’d been missing all yesterday, though it was right in front of my eyes if I’d just looked. Why they’d been swarming on Three, why they rushed the guy from Seven and then lost interest in him when he took off his hat and they saw his hair was black dyed (instead of frizzy blonde), and why the hookers’ convention wasn’t still going on today. All that loot could have only come from one place—Stensor’s. In spite of him being so respectable, he’d been running a string of call girls all the time so that when he ran out on them owing them all money (I flashed on that at the same time), they’d collected the best way they knew how. “I ran to his apartment, and you know the door wasn’t even locked—one of them must have had a key to it too. Of course the place was stripped and of course no sign of Stensor. “Then I did call the police of course but not until I’d checked the basement. His black Continental was gone, but there was no way of telling for sure whether he’d taken it or the gals had got that too. “It surprised me how fast the police came and how many of them there were, but it showed they must have had an eye on him already, which maybe explained why he left so sudden without taking his things. They asked a lot of questions and came back more than once, were in and out for a few days. I got to know one of the detectives, he lived locally, we had a drink together once or twice, and he told me they were really after Stensor for drug dealing, he was handling cocaine back in those days when it was first getting to be the classy thing, they weren’t interested in his call girls except as he might have used them as pushers. They never did turn him up though, far as I know, and there wasn’t even a line in the papers about the whole business.” “So that was the end of your one-day hooker invasion?” Ryker commented, chuckling rather dutifully. “Not quite,” Clancy said, and hesitated. Then with a “What-difference-can-it-make?” shrug, he went on, “Well, yes, there was a sort of funny follow-up but it didn’t amount to much. You see, the story of Stensor and the hookers eventually got around to most of the tenants in the building, as such things will, though some of them got it garbled, as you can imagine happens, that he was a patron and maybe somehow victim of call girls instead of running them. Well, anyhow, after a bit, we (the Mrs. mostly) began to get these tenant reports of a girl—a young woman—seen waiting outside the door to Stensor’s apartment, or wandering around in other parts of the building, but mostly waiting at Stensor’s door. And this was after there were other tenants in that apartment. A sad-looking girl.” “Like, out of all those hookers,” Ryker said, “she was the only one who really loved him and waited for him. A sort of leftover.” “Yeah, or the only one who hadn’t got her split of the loot,” Clancy said. “Or maybe he owed her more than the others. I never saw her myself, although I went chasing after her a couple of times when tenants reported her. I wouldn’t have taken any stock in her except the descriptions did seem to hang together. A college-type girl, they’d say, and mostly wearing black. And sort of sad. I told the detective I knew, but he didn’t seem to make anything out of it. They never did pick up any of the women, he said, far as he knew. Well, that’s all there is to the follow-up—like I said, nothing much. And after two or three months tenants stopped seeing her.” He broke off, eyeing Ryker just a little doubtfully. “But it stuck in your mind,” that one observed, “for all these years, so that when I told you about seeing a woman in black near the same door, you rushed off to check up on her, just on the chance? Though you’d never seen her yourself, even once?” Clancy’s expression became a shade unhappy. “Well, no,” he admitted, glancing up and down the hall, as though hoping someone would come along and save him from answering. “There was a little more than that,” he continued uneasily, “though I wouldn’t want anyone making too much of it, or telling the Mrs. I told them. “But then, Mr. Ryker, you’re not the one to be gossipping or getting the wind up, are you?” he continued more easily, giving his tenant a hopeful look. “No, of course I’m not,” Ryker responded, a little more casually than he felt. “What was it?” “Well, about four years ago we had another disappearance here, a single man living alone and getting on in years but still active. He didn’t own any of the furniture, his possessions were few, nothing at all fancy like Stensor’s, no friends or relations we knew of, and he came to us from a building that knew no more; in fact we didn’t realize he was gone until the time for paying the rent came round. And it wasn’t until then that I recalled that the last time or two I spoke to him he’d mentioned something about a woman in an upstairs hall, wondering if she’d found the people or the apartment number she seemed to be looking for. Not making a complaint, you see, just mentioning, just idly wondering, so that it wasn’t until he disappeared that I thought of connecting it up with Stensor’s girl at all.” “He say if she was young?” Ryker asked. “He wasn’t sure. She was wearing a black outside coat and hat or scarf of something that hid her face, and she made a point of not noticing him when he looked at her and thought of asking if she needed help. He did say she was thin, though, I remember.” Ryker nodded. Clancy continued, “And then a few years ago there was this couple on Nine that had a son living with them, a big fat lug who looked older than he was and was always being complained about whether he did anything or not. One of the old ladies in the apartment next to their bathroom used to kick to us about him running water for baths at two or three in the morning. And he had the nerve to complain to us about them, claiming they pulled the elevator away from him when he wanted to get it, or made it go in the opposite direction to what he wanted when he was in it. I laughed in his pimply face at that. Not that those two old biddies wouldn’t have done it to him if they’d figured a way and they’d got the chance. “His mother was a sad soul who used to fuss at him and worry about him a lot. She’d bring her troubles to the Mrs. and talk and talk—but I think really she’d have been relieved to have him off her mind. “His father was a prize crab, an ex-army officer forever registering complaints—he had a little notebook for them. But half the time he was feuding with me and the Mrs., wouldn’t give us the time of day—or of course ask it. I know he’d have been happy to see his loud-mouthed dumb son drop out of sight. “Well, one day the kid comes down to me here with a smart-ass grin and says, ‘Mr. Clancy, you’re the one who’s so great, aren’t you, on chasing winos and hookers out of here, not letting them freeload in the halls for a minute? Then how come you let—’