Come out and be known as your truer self

I’m a couple days late for Coming Out Day, but I know you always enjoy my reflective writing.

People have been asking me lately when I’m going to give a presentation about historical swordswomen again. And… I wasn’t really planning to. But I think it’s probably time to reexamine that choice.

There are a lot of reasons I haven’t felt excited about going back to it. When I was working on updating and expanding it, a bunch of stressful stuff was going on in my life, including a lot of tension and frustration with someone who was working on the project with me. Going back to the subject feels too much like going back to all of that, to the extent that I’ve never put it on my Lectures and Recordings page.

But the reason that comes into my mind first is, that’s not what I want to be famous for. I don’t want to be remembered as the woman who works on woman stuff. Historical swordfighting is a very male-dominated space, and I’ve been navigating that my entire adult life, trying to find the right amount of “remind the men that people who aren’t men exist and are different” and trying not to worry about “they won’t take me (or maybe any woman) seriously if I’m not man enough.”

So… I have this presentation I don’t want to be famous for, but it’s already something people remember about me and, more importantly, want more of. Which I guess means I have an opportunity to reshape their perception.

And it’s information that needs to be put out into the world again, because for the love of kittens, “cool non-man swordfighters” does not begin and end with La Maupin and basically none of those meme pictures are actually of her anyway. And also her story usually has wacky exaggerated genderfuckery fingerprints all over it, like some 18th or 19th century person said “aha, a story with non-mainstream gender and sexuality! Allow me to impose some of my ideas about gender onto it to make sure you notice gender things are happening but also reassure you that women are ladylike and attracted to men!” Like the bit where she stabs a guy in a duel but then tenderly nurses him back to health before having sex with him. Or the thing where her early serious relationship with a woman is only discussed as the framing for why she set the convent on fire and is otherwise elided to a couple sentences.

I guess I have more to say about this topic.

So.

The world needs me to share more information about individual non-men fighters, and probably also broader categories of non-men who were doing combat and defense stuff, and point out that a lot of the gender division ideas we modern folk have about the medieval era were given to us by the historians of intervening centuries.

And I need to find ways to do that– all of that– without feeling like I’m compromising my own priorities for presenting my identity to others.

I think the first step to making it manageable is to separate it into two topics, because I think it would be difficult and also unhelpful to simultaneously cover “binary gender has been imposed onto history in weird ways” and “gender and sexuality are not binary.” Taken separately, I think each of those topics fits better with the current Darth Kendra brand than the old presentation does.

I suspect a lot of you are now wondering, Darth Kendra, what do you want to be famous for? Because, you’re right, I shouldn’t define myself by what I don’t want. And I think if I have to boil it all down to one single idea, that idea is READ ALL THE MANUSCRIPTS. I don’t want to be remembered as the person with all the ladies in armor pictures, or the merfolk pictures, or even as the Florius translator– I want all of those to be taken together to create a big picture of “Darth Kendra will read everything unstoppably when she’s on the trail of something interesting, and then (sooner or later) share the journey and also the discovery at the end.”

While I’m talking about ways I intend to be more out and true, I’m resolving to put more stickers on my HEMA gear. I think– I’m trying to believe– that using my gear to celebrate some things I love, and thus share a little more of my truer self with everyone I fight, will make me stronger and healthier. Even– or, no, especially– if some of those things are definitely not manly, like glitter pastel cottagecore and fluffy cats sitting by rainy windows.

More merfolk: “Poor, unfortunate swords” and “Scales and mail”

I haven’t written anything new about merfolk yet, but I did give a presentation about them for CyberSquatch 2021, which is now available on YouTube! (As before, CyberSquatch gave the presentation a much better title than me; I can take no credit for that.) Give it a watch; it has some content that’ll be our second visit to the mermaid cafe sometime, and photos I took of merfolk decorations on armor, and also I learned some unexpected things while putting it together.

If you want to follow along with the slides, grab this PDF. Or maybe follow along right here, if the fancy embed player works.

In other merfolk news, this might be burying the lede, but the week after I gave that presentation I submitted a proposal to the 2022 International Congress on Medieval Studies at Kalamazoo. It was accepted, so next up on my research schedule will be “Scales and mail: fish knights in late medieval romances and arms and armor decoration.”

(I had to consult three neutral parties about whether to call it “Scales and mail” or “All in mail, never clinking.” Which I guess means I have one less blog article title to figure out when the time comes.)

I’m sure you’ll be excited to learn I’ve found even more Ghent-Bruges mer-warriors, even more mer-warrior misericords, and even more words to mispronounce, like zitiron and ichthyocentaur and maybe anguipeds. You heard about Syrenka from Warsaw; tune in to the same mer-time, same mer-channel to hear about the Dutch Zeeridder too.

And, oh boy, are the late medieval romances a ride and a half.

Catch you on the flip side, true believers!

Ladies in Plating updates, and the value of falling down the rabbit hole

Seven months later, I have something for you! Here’s a new copy of the Ladies in Plating slides, now with source information for every image plus updated identifications where appropriate.

Of course, no sooner had I finished getting help solving weird PDF problems than I discovered another bunch of errors I’d made while adding the attributions. But I thought I’d release this imperfect errata edition to you now, and fold the corrections into the next updates. I’ll be presenting Ladies in Plating for a distributed audience in a couple weeks, as part of the Capital Kunst Des Fechten “Plague Lectures” series.

Image

If you’re interested in material culture or other details of pre-modern and early modern life, I highly recommend spending as much time as you can stand studying artwork like these examples. It’s easy to accidentally lose entire days this way, but you’ll learn a ton of stuff.

Continue reading “Ladies in Plating updates, and the value of falling down the rabbit hole”

Swordsquatch 2019 slides and images

Manuscript miniature showing a monk and a crowned woman looking at an armor rack
Miniature from page 97r, Bibliothèque municipale d’Arras MS 845 (Roman de la Rose)

I’ve got lots to write up about women in armor, both from the last few weeks of research leading up to Swordsquatch and from conversations at and after ‘Squatch. This whole project has been even better received than I could have imagined, and I’m excited to dig into the details with all of you!

In the interest of expedience, this installment will have a lot fewer words than usual, but it does have nearly a hundred and fifty pictures. Here’s a PDF of the slides from my presentation:

You can see the images used in the presentation (with tags, high res versions, and source links) at my image tagging site under the label swordsquatch_2019.