Playing on the radio builds an audience, part the millionth: OAITW April 1973

I was just revisiting a little item in Todd Tolces's early 1970s column in the Berkeley Daily Gazette. From May 3, 1973:

Picking a very nicely at at banjo all weekend was Jerry Garcia with his new bluegrass group, Old and in Way.

The acoustic quintet played through two nights at the Keystone to a very crowded house each time. The word got out. Either that or everybody beard them on KSAN's 'live'' weekend where Old and in the Way did a smashing one-hour set from the Record Plant in Sausalito.

Also on hand that day and the Friday and Saturday nights at the Keystone was Richard Greene, Seatrain's former fiddler. Greene's presence makes two refugees from Seatrain. The other is Peter Rowan, their lead singer and guitarist.

Greene's presence may finally fill Garcia's desire to ''find a fiddle player and play the bluegrass festivals this summer." However because of the Greatful Dead's heavy work schedule he may not be able to. Let's wait and see.

So, a few things.

First, Tolces somehow got the idea that Greene was there to stay. But as far as I know he'd play the Pacific Northwest shows May 8 in Eugene and May 9 in Portland, and that would be all she wrote.

Second, Corry gets some nice capillary-level confirmation. He had said in re the 4/21/73 KSAN broadcast "Any doubts about Old And In The Way's strategy to popularize themselves like the Stanley Brothers are erased by this broadcast." And here we are the next weekend, packed house through buzz from the broadcast.

Third, I think my putative 4/28/73 Record Plant KSAN Broadcast *must* be a phantom, right? I think Richard Greene had himself at the Plant this date, and remembered doing a KSAN broadcast from there, and he and I conjured this event in the recollecting. Instead, I think RG was at the Plant doing some session work (I don't know for whom) on 4/28, and we both just mixed it with 4/21.

Can I get a collective ruling on that question?

Fourth, Tolces hearkens back to what Jerry had told him on March 13th, very early in the band's run, that he wanted a fiddle player.

Fifth, Tolces is also being communicated some doubts about how much time he'll really have for Old And In The Way. I can imagine three pathways to that. 1) It was just sort of "known". 2) GD sources (e.g., Cutler) planted that, as a shot across the bow to Jerry and his little buddies that they ate last. 3) Jerry planting it to start setting expectations among his bluegrass buddies. He wouldn't want to disappoint them, and he was averse to directly communicating anything even vaguely unpleasant. So maybe Tolces proved a useful conduit to soften the reality.

Sixth, whatever all that is, the whole thing nicely illustrates the burden of being Jerry Garcia (Gans).

San Francisco Sessions, 1969

update: changed title 20160319

San Francisco Sessions Series

• San Francisco Sessions, 1967-1968
• San Francisco Sessions, 1969
• San Francisco Sessions, 1970
• San Francisco Sessions, 1971
• San Francisco Sessions, 1972 

Moving through the Garciaverse, I pick up lots of pieces that are more degrees of separation out from Jerry than I can ever have real occasion to write-up, except purely on grounds of the shedding necessary to free up scarce cognitive resources. Thus was born my series San Francisco Sessions, which will run through 1972, I think.

/update

I just posted some random gatherings from SF (mostly studio) sessions, 1967-1968, mostly involving people who cross the Garciaverse in some way or who just interest me (e.g., QMS).

More of the same, 1969, with some half-baked effort to put in bold the names of folks with whom Garcia shared a stage.

A few fun ones, for me:

• I love that the Mule and the Bloomfielders did a radio commercial for Country Club Malt Liquor. I am sure that stuff went down smooth.
• A Howard Wales sighting! Ever the obscurity, even the union doesn't know his address.
• I notice Richard Greene and Kahn working a Brewer & Shipley session together on December 1st - I am not sure I knew that Greene had crossed into the Kahn-o-verse in this way.
• Question: is James Cooke of the Steve Miller sessions a.k.a. Curley Cooke, or is that someone different?

Anyway, please do leave name corrections, random thoughts, hoots and jeers in comments.

San Francisco Sessions, 1967-1968