Las letras del POLLUTION ONE enviadas por un suscriptor

Lyrics of all the songs by Kosta Talbic, posted here because youtube doesnt allow to put comments or descriptions so longer 

👂👂👂👂 Pollution 1+2

falta el primer album de 1969

son discos raros, un soul progresivo raro de tematica practicamente conceptual

sobre el ecologismo, pero el de verdad, el de la epoca como Canned Heat o Rare Earth 

 Travelin' High (With The Lord) 00:00

Dear God, for my life,

so far you’ve made it so tough.

Yet I know I just can’t complain—

all my gadgets are still kind of rough.

I trust you, you’re awesome, baby.

But in my screwed-up way, yeah, yeah, yeah,

I certainly am deserving,

I have things going my way.

Oh, oh, oh…

And I put a purpose on the wall—

some causes I will surely cure.

But most of all, I’ll use your soul.

Oh, oh, oh…

And I’m here to reassure you.

Yeah, oh, yeah.

I feel your warmth and I see your light.

Oh Lord, I know I don’t have to worry no more.

Good God, your light is getting so darn bright.

I’m travelin’ high—

I’m so high with your love.

Oh, good, good God.

My sweet God.

I’m making this request:

that you let me show this mean, old,

dirty, mixed-up world

I can be one of the very best.

Oh yeah…

I’ll return the favor,

and I’ll wear a bright, happy mask,

and just a tiny little bit of picture flavor.

Yeah, yeah—

oh, it shall be no task.

Oh no, it shall be no task.

I feel your warmth

and I think I see your light.

Oh, I know I don’t have to worry no more.

Oh, good Lord—

your light is getting so bright.

Oh, I’m travelin’ so high with the Lord.

Oh, I love you so.

Oh, yeah.

Oh, I’m travelin’—

I’m travelin’ high.

This Feelin' Won't Last Long 03:16

Sometimes I feel like a jigsaw puzzle

and I long for someone to put me together —

just take the time

to make all the pieces fit.

Sometimes I feel like yesterday’s newspaper

blowing in the street,

’cause everybody’s heard what I had to say

the day before.

And other times I feel just like the sun — oh yeah —

and I’m shining down on smiling faces,

thinking that nothing at all

could ever go wrong.

But I know this feeling won’t last long.

Sometimes I feel like a sinking sailboat,

breaking apart and going down slow.

Or a big jet plane that’s run out of fuel

and got no place to go — no place to go.

Other times I feel just like the sun, Lord —

and I’m shining down on smiling faces,

thinking that nothing at all

could ever go wrong.

But I know this feeling won’t last long.

Sometimes I feel like a jigsaw puzzle

and I long for someone to put me together.

Just take the time

to make all the pieces fit.

Sometimes I feel like yesterday’s newspaper

blowing in the street,

’cause everybody’s heard what I had to say

the day before — just the day before.

And other times I feel just like the sun — oh yeah —

and I’m shining down on smiling faces,

thinking that nothing at all

could ever go wrong.

Yet I know this feeling won’t last long.

I know it won’t last long.

Yeah — pretty soon, it’ll all be gone.

Oh, I got a feeling it’ll all be gone.

 Ballad Of A Well Known Gun 07:04

Well, I pulled out my stagecoach times

and I read the latest news.

I tapped my feet and done surprised,

’cause you know, I knew they knew.

The Pinkertons, they pulled out my bags

and asked me for my name.

Ooh, I stuttered out my answer — ooh yeah —

and I hung my head down in shame.

Now they found me — you know they found me.

It’s so hard to run from a starving family.

Ooh, ooh, they found me — ooh yeah —

and I can’t run no more.

I’m so tired of hearing

“there she goes — there goes a well-known gun.”

Well now, I tell you, I’ve seen,

I know this chain gang,

and I think I want to see my preacher.

I just couldn’t have faced your desert sand

and burned brown till I was looking like a beast.

The poorhouse, they hit me for my kin

and claimed my crumbling walls.

Now I know how Reno felt

when he ran from the law-

that dirty no good law

Now they found me — ooh yeah —

you know they found me.

It’s so hard to run from a dead,

almost dead, starving family.

Ooh, they found me —

I’m so tired of running — ooh yeah —

and I can’t run no more.

Well now, there she goes —

she’s a well-known gun.

Don’t let them get me — yeah — ooh, ooh —

I think I better get them

before they get me — yeah.

Now they found me — ooh —

you know they found me.

It’s so hard to run from a starving family.

Ooh, Lord, you know they found me —

and I just can’t run no more.

I’m so tired of hearing:

“There she goes — there she goes —

a well-known gun.”

Get my holster fixed —

I’m so tired of sweating it out.

Let me see that preacher — ooh —

they found me.

He can help me, I know — ooh, yeah, yeah.

Now they found me,

now they found me,

now they found me,

now they found me,

now they found me.

Now they — now they found me —

now they found me — now they found me —

ooh yeah, yeah.

Yeah, yeah, yeah, yeah, yeah, yeah, yeah —

you better love the Lord,

or you’re gonna end up just like me.

Then by me, Lord — then by me —

I thought I was so smart — yeah, yeah.

Yeah, yeah, yeah.

Do You Really Have A Heart 11:50

Long ago and oh so far away,

in the land of “I told you so,”

lived a man named “You’ll get nothin’ from me,”

oh yeah.

Awful cute, so he acted strong,

yes, and he never got along.

Yes, he tried, but of course he just couldn’t say—

oh God.

What you need is a little understanding,

a loving hand to guide him, bring him around.

What you need is a little human kindness—

the man is lost and cryin’, don’t let him down.

Do you really have a heart?

Don’t you think it’s time to use it?

If you really have a heart,

try it out and do something good.

In the land of “Get the other guy,”

to the south of “It’s not my fault,”

lived a fellow a lot like you and me.

They believed he was mean and bad,

but when he made you sad,

he said, “Never gonna let that happen to me.”

What you need is a little understanding,

a loving hand to guide him, bring him around.

What you need is a little human kindness—

the man is lost and cryin’, don’t let him down.

Do you really have a heart?

Don’t you think it’s time now to use it?

Take a look around at your fellow man—

do yourself a favor and lend a hand.

Do you really have a heart?

Don’t you think it’s time, my brothers and my sisters?

Put a little love in your heart,

put a little love in your heart.

Let God see right through your heart.

Yeah—put a little love in your heart,

love in your heart.

Do something good.

Do something good.

Dry Dream 15:19

I slipped into a keyhole, into a dim-lit room.

I thought I heard a noise above my head —

ooh, a witch fell out of her room.

She disappeared as she hit the floor,

replaced by a smoky cloud.

Then I thought I heard music

of a stranger’s band —

ooh, it began to grow quite loud.

Ooh, ooh, what a pleasant world this is, though,

but it’s just a dream at stake.

I’d sure like to stay here longer,

but it’s time for me to wake.

I slipped onto the chandelier,

suspended in midair.

I thought I heard somebody say to me,

“Ooh, hey lady, I’m sorry, lover,

you can’t sit up there.”

I turned to see a praying mantis

knitting with their utmost care.

You know, a praying mantis that knits and talks —

but you know, I just couldn’t help but stare.

Well, I didn’t want to offend him,

so I went along my merry old way.

And I almost bumped right smack bang

into a snail in a tiny sleigh.

The sleigh was full of twinkling butterflies

and a tiny blue, blue, blue jay.

The dying bird bit on me and I stepped on it —

ooh yeah —

and I just went strutting along my merry old way.

Ooh, ooh, what a pleasant world this is,

but it’s just a dream at stake.

I’d sure like to stay here longer,

but it’s time for me to wake.

Oh… oh… oh… oh…

Your love house — oh, love me.

Oh, sweet love.

Sup’, come on baby —

yeah, yeah, yeah.

 Underdog 19:04

I know how it feels to expect to get a fair shake,

but they won’t let you forget that you’re their underdog

and you’ve got to be twice as good.

Even if you’re never right, they get uptight—

when you’ve got too much,

you might start thinking too much too.

I know how it feels when you know for real

that every other time, yeah, you get a raw deal.

Yeah, yeah.

’Cause I’m their underdog.

I know how it feels to get demoted

when it comes the time to get promoted,

’cause you might be moving up way too fast.

Yeah, yeah.

Did you ever love somebody on a different set,

but the other set wasn’t apt to forget?

Well, it just don’t go like that.

Yeah, yeah.

I know how it feels for people to stop,

turn around and stare,

signify that they don’t love me.

Yeah, yeah.

’Cause I’m their underdog.

I know how it feels to be playing the part,

be at a party, but you’re really all alone.

They underestimate me.

Yeah, yeah.

I know how it feels when you’re feeling down

and you want to come up,

but you’re really in the wrong part of town.

Yeah, yeah.

I know how it feels to have to go along

with people you don’t even know,

simply because there happens to be

a whole lot more of them.

Yeah, yeah. Underdog. But that's all right with me.

I'll always be

Underdog. All right with me.

 River 23:04

Did you ever sit down, ever sit down,

listen to the sounds of a river as it went by?

(Ooh vocal line…)

Oh, you seem to move so slow,

only your reflection knows;

on your face, all the time you wasted

all of a sudden shows.

Though our journeys will never feel the same,

we will be remembered by what we became.

Did you ever sit down, ever sit down,

listen to the sounds of a river?

Ripples and flows, it comes and it goes,

without really telling you why.

Seconds make minutes,

hours make days—

the river keeps right on going

like an endless maze.

Though our journeys are never quite the same,

we will be remembered by what we became.

Did you ever sit down, ever sit down,

listen to the sounds of a river?

Ripples and flows, it comes and it goes,

without really telling you why.

Lo And Behold 27:19

Lonely by day, empty and cold—

only to say, lo and behold—

deep in my nights, down in my dreams,

glorious sight this soul has seen.

There’s a well on the hill,

you just can’t kill the Jesus.

There’s a well on the hill—

let it be.

I tell you, there’s a well on the hill,

you just can’t kill the Jesus.

There’s a well on the hill—

let it be.

I don’t build no heathen temples

where the good Lord done laid His hand.

There’s a well on the hill—

let it be.

Now everybody’s talking about the gospel story.

Everybody’s talking.

Some shall sing and others shall write—

everybody’s talking.

Everybody’s talking about the train to glory.

Everybody’s talking.

But it’s a long time till it gets to you, baby—

everybody’s talking.

There’s a well on the hill,

you just can’t kill the Jesus.

There’s a well on the hill—

let it be.

I don’t build no heathen temples

where the good Lord done laid His hand.

There’s a well on the hill—

let it be.

There’s a well on the hill—

let it be.

There’s a well on the hill—

let it be.

And I’m lonely—hey.

Empty, empty and cold.

Only to say,

Lord, Lord—lo and behold.

Deep in my nights,

down in my dreams,

it’s a glorious, glorious sight

my soul has seen.

There’s a well on the hill—

you just can’t kill the Jesus.

There’s a well on the hill—

let it be.

There’s a well on the hill—

let it be.

There’s a well on the hill—

you just can’t kill the Jesus.

There’s a well on the hill—

way upon the hill side

let it be.

There’s a well on the hill—

let it be.

Mother Earth 31:07

Well, you can hide — can’t make it all the time —

and you may never come my way.

Mother Earth’s waiting for you;

there’s a debt you got to pay.

I don’t care, I don’t care who you are — no.

No, no, I don’t care what you are worth — oh no, no, no.

Yeah — ’cause when it all comes on down,

you’ve got to get yourself down

to the good old mother Earth.

You may have your million dollars,

you may drive that damn black shiny Cadillac.

You may have all that green filth —

that shit they call money —

and ain’t nothing you lack.

I don’t care who you are — no, no.

I don’t give one damn, no,

who you are or what you are worth.

’Cause when it all comes on down,

you’ve got to get yourself down

to the good old filthy, dirty, mucky mother Earth — oh yeah.

Oh, you ain’t cookin’.

Oh, oh, oh — Smithy, talk to me, baby.

Do you do as well as you play, baby?

Oh yeah — ooh, lover, I like you, you know.

I like that boy sitting right in there.

I got a message: don’t do me wrong.

I’m a whole lot of woman, understand,

and I need a whole lot of man.

You have to take care of me —

but one more thing, lover:

if you *do* do me wrong,

you’re gonna have to keep on lookin’

at a whole lot you ain’t gonna be gettin’ a whole lot of — oh yeah.

Well now — you go right on ahead

and hit me all the time.

But I surely know you’ll never, ever, ever come my way.

Because, you know — Mother Earth

is right here waiting for you, baby.

There’s nothing you got to fear.

I don’t care — I don’t care who you are.

I don’t give one damn — no —

who you are, what you do, where you go,

who you know, who you do, or who do you, what you are, baby.

When it all comes on down,

you got to come on —

you got to get your ass right on down

to sweet, lovely, jesus beautiful mother Earth.

Oh, oh, oh, oh, oh…

You love me — you love me,

love me, love me, love me, love me, love me…

Oh… hey… oh…

When it all comes on down,

you simply got to keep digging somebody now.

You — you — you got to

come on now.

You simply got to

come on now —

you got to,

got to come on down

to good old mother, mother Earth.

And that means love on.

Pink Floyd - Wish You Were Here (1975) 50th anniversary edition FLAC 3 CD

A peticion de un suscriptor anónimo, el Wish You Were Here version 50th aniversario 3 CD en Flac; no es de mis favoritos pero es innegablemente bueno, una joya esencial. Shine on your crazy diamond es un himno a los posibles efectos adversos del LSD, un tabú para la época, tabú que Syd Barrett encarnó. El album tiene un monton de rarities inauditos, esto es lo que mas nos gusta a los fanaticos. Lo que no se es como a los músicos les da igual tener décadas un material historico asi bajo llave, nunca lo entenderé

INMORTAL

 👂👂👂

JODY GRIND - Discography, UK supergroup featuring LOUIS CENNAMO

 Inicialmente iba a subir solo el primer disco pero he modificado el post antes de publicarlo para añadir el segundo ----------------- promete mucho.  Otra de esas bandas de la familia Armageddon que aun me quedaban por escuchar, este super grupo lo descubri gracias al libro de las 100 rockliquias, ademas se podria considerar tambien un album de la España ácida ya que tenemos a Joan Manuel Serrat y su orquesta, fue un proyecto de supergrupo que sacaron 2 LP's, aun no he oido el segundo pero me lo anoto, prefiero oirlas cosas bien con tiempo y cuando realmente me apetece, dificil encontrar esos buenos momentos como dice la cancion de Blue Cheer. Jodi Grind fueron Louis Cennamo al bajo, Barry Wilson a la bateria, Ivan Zagni a la guitarra y Tin Hinkley a los teclados aunque con un elenco de sesion y sustituciones mucho más amplio: aqui teneis critica de rockliquias rockliquias.com/2013/12/jody-grind-one-step-on insuperable. ---------------------el segundo es mucho mas progresivo, este tiendo más a lo jazzero con un rock psicodelico que a veces se pone algo duro casi heavy psych, pero es mas beat que otra cosa, un album muy variopinto. Cover de Paint in black orquestral envidiable con un solo de bateria muy como Deep Purple estaba haciendo por el momento, back to the USA es lo mas pesado y hendrixiano que tenemos. Me recuerda un poco a Brian Auger y sus proyectos, tambien mucha presencia de hammond

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MOTORHEAD - The Manticore Tapes 1976 !!!!!!!

Lo que traemos hoy es heavy metal de primera.. una de estas entradas que marcan un antes y un despues.. HAN SALIDO A LA LUZ UNAS DEMOS DE LA EPOCA DE ON PAROLE, Motorhead con Eddie Clark recien llegado grabadas en los estudios de KEITH EMERSON !! Se ve que tras lo que paos con On Parole y tener su primer album retenido lo intentaron de nuevo en 1976, pero al final entre unas cosas y otras, con el nuevo estilo de la banda optaron porque su debut de 1977 fuese el debut que definiese a la banda, dejando asi ''On Parole'' como un raritie de la epoca lanzado en 1979, en 1996 saldrian los demos inauditos de On Parole y ahora en pleno 2025 hace no mucho estas joyas que.. joder como puede una cosa asi de valor incalculable estar tanto tiempo sin salir a la luz.. luego pasa lo que pasa hay un incendio o algo y se pierden..  Es una pena que estp no viese la luz en su época, en la epoca del metal y el acero, y lo tengo que hacer ahora en esta epoca de mierda pero bueno aun estamos vivos para disfrutar esto ultimo..

@128 WEB COPY listen it here no ads

  ''In August 1976, Motörhead’s iconic ‘three amigos’ line-up—Lemmy (bass/vocals), Fast Eddie Clarke (guitar), and Phil ‘Philthy Animal’ Taylor—gathered at Emerson, Lake & Palmer’s legendary Manticore Studio in Fulham to rehearse and, for the first time, record together. Nearly five decades later, the long-lost “Manticore tape” has been unearthed, restored, and is now set for release as The Manticore Tapes on 27th June to celebrate the band’s 50th anniversary.

This never-before-heard album captures the raw beginnings of the classic Motörhead sound, making its discovery a major event for fans

 the second single from The Manticore Tapes! Another previously unheard track from the first ever studio recordings of the three amigos line-up''

Luego dicen de musica hecha con IA.. me cago en sus muertos habiendo estas joyas inauditas y me viene la gente con mierdas hechas por IA.. es increible que nosotros seamos por primeros en mucho tiempo en oir esto cuando ni el mismo Lemmy lo habria oido desde que lo toco en 1976.. lo mas cercano a esto que teniamos es los directos del Roundhouse de 1975 pero se oyen fatal en compapacion con esto, el estilo es una mezcla entre lo que se vio en On Parole pero mas sucio cercano a lo que ya definio a la banda en 1977. Tened en cuenta que mucha gente en la epoca ya venian a motorhead desde 1975 y vieron todo esto en directo puestos de LSD o anfetaminas, valium o lo que sea, vivieron la experiencia progresiva y vieron el evolucionar de una banda que aun no estaba sacando LP's y ya estaba destruyendo inglaterra y parte de estados unidos.. LO UNICO MALO DE ESTE ALBUM ES QUE NO VIENE LOST JOHNNY

👀👀👀 archive orh original files,, 24-48 MP3 320 Kbps web rip

Sinceramente es mejor el On Parole por eso en 1979 imagino que optaron por él en vez de estas grabaciones, si buscas un sonido mas motorhead tipico entonces optaron por el album de 1977, por eso este se quedo como entre dos aguas. Tambien se incluyen algunos temas inauditos de un directo muy bien grabado de 1977. Tambien se ve que eran demos completamente improvisados en los estudios del colega Keith, no estaba ni siquiera del todo acabado, no se si estan mezclado ahora o ya venian los reels editados de 1976, seguramente entre gira y gira no tuvieron mucho tiempo de acabarlo y lo dejaron

Esto es de estos albunes que merece la pena tenerlos en vinilo, no se vuanto costara acaba de salir este doble LP que ademas viene transparente guapo, espero que este bien grabado si siguen los mismos estudios imagino que si

Jade Warrior - Reflections 1971-78: Exploradores de la Vanguardia británica

1979

En el vasto panorama progresivo que nos acontece, surge en Gales un acto singular que desafía las convenciones establecidas y lleva a los oyentes a un viaje sonoro inolvidable. Jade Warrior, fusión de elementos proggy, jazz y música del Lejano Oriente, ha emergido como una fuerza creativa única en la escena musical. Los primeros trabajos de Jade Warrior, en la línea de los álbumes "Jade Warrior" (1971 Vertigo), "Released" (1971 Vertigo) y "Last Autumn's Dream" (1972 Vertigo), revelan un enfoque experimental y ecléctico que define su estilo. La banda, formada por Tony Duhig y Jon Field, ha logrado tejer una narrativa musical en la que las influencias de Canterbury se mezclan con melodías etéreas y ritmos innovadores en los últimos años de esta Gran Bretaña progresiva y espacial donde vivimos, en el actual año de 1975

B4 House Of Dreams

A2 Lady Of The Lake

A3 Borne On The Solar Wind

A4 Morning Hymn

A5 Bride Of Summer

A6 Soldier's Song

B1 A Winter's Tale

B2 Yellow Eyes

B3 Dark River

A1 English Morning

El sonido Canterbury, característico de bandas como Soft Machine y Caravan, se hace evidente en la habilidad de Jade Warrior para crear paisajes sonoros intrincados y fluidos. Sin embargo, lo que distingue a Jade Warrior es su capacidad para incorporar elementos de la música asiática de una manera que se siente tanto auténtica como vanguardista. Las flautas de Jon Field y la guitarra de Tony Duhig se entrelazan en una danza musical que trasciende las fronteras convencionales. Tracks como "A Prenormal Day at Brighton" llevan a los oyentes a un viaje surrealista, donde las improvisaciones se entrelazan con estructuras melódicas que desafían las expectativas. La experimentación con instrumentos exóticos y texturas sonoras únicas crea un ambiente hipnótico que se ha convertido en una firma distintiva de Jade Warrior. En un momento en el que la música prog se encuentra en constante evolución, Jade Warrior destaca como pionero en la fusión de culturas musicales. Su capacidad para fusionar elementos de Canterbury con una sensibilidad global y espiritual es testimonio de su visión única y atemporal. Los primeros trabajos de Jade Warrior no solo son una experiencia auditiva, sino un viaje introspectivo hacia lo desconocido, donde la música trasciende los límites y abre nuevas puertas en el panorama musical de actualidad

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Salurocks!!

WICKED LADY disc0graphy 1968-1972 three LP 🇬🇧

Hard rock/proto-metal band from Northamptonshire in the UK, active between 1969-1972. Almost no photos of the group playing exist, and recordings made during their existence only surfaced post-breakup. Their name is taken from a pub drink available at the time

Una de las mayores gemas pendientes del blog, a día de hoy y con mucho escuchado no me suenan tan impresionantes como otros grupos pero es un heavy psych muy bueno, es una rockliquias de referencia

Wicked Lady es una banda británica que emergió en la escena musical a principios de la década de 1970, específicamente en 1972. Aunque su carrera fue breve y limitada, dejaron un impacto significativo en el género del rock pesado y progresivo. La banda lanzó tres álbumes durante su existencia: "Axeman Cometh" (1972), "Psychotic Overkill" (1994, pero con material de la época) y "The Axeman Cometh" (2007, una reedición). La crítica hacia Wicked Lady a menudo se centra en su estilo distintivo, caracterizado por potentes riffs de guitarra, solos extensos y una fusión única de psicodelia y hard rock. Su álbum debut, "Axeman Cometh", es considerado un clásico del proto-metal y ha ganado admiración por su enfoque crudo y visceral. La guitarra de Martin Weaver es el elemento destacado, mostrando una destreza impresionante y un enfoque agresivo. Sin embargo, algunas críticas señalan que la producción de los álbumes puede parecer un tanto primitiva en comparación con otras bandas contemporáneas. La calidad del sonido no siempre está a la altura de las expectativas modernas, pero algunos argumentan que esto añade autenticidad y un encanto retro a su música.

Además, la brevedad de la carrera de Wicked Lady ha llevado a que su legado sea algo oscuro y subestimado en la historia del rock. Aunque han ganado reconocimiento a lo largo de los años, su impacto real podría haber sido mayor si la banda hubiera persistido y continuado evolucionando su sonido. En resumen, Wicked Lady es apreciada por su contribución única al rock pesado y su capacidad para fusionar elementos psicodélicos con un enfoque agresivo. Aunque su corta carrera limita su presencia en la escena musical, su música sigue siendo valorada por aquellos que buscan gemas ocultas en la historia del rock.

👂👂👂  Agradecimientos a Mateo papaleo por el material sonoro

MOTORHEAD - Dias antes de la llegada de la cabeza motora FULCRUM CENTRE (June 1977) UK

Increibles dias antes de la salida del debut de Motorhead aun se podia disfrutar del Motorhead desconocido, aun espacial y sideral proveniente de Hawkwind, lo interesante de este bootleg es que ademas podemos apreciar temas del album de '77 peor tocados al estilo ''On Parole'', que no es que no me guste el mortorhead famoso, pero evidentemente la parte que mas nos gusta de esta banda es todo lo que paso entre 1975 y 1977

la verdad es que cada vez nos pasamos mas con las portadas de guapas, necesitamos abrir una discográfica ya de ya

Artist: Motorhead

Release: unreleased

Genre: Hard Rock/Heavy Metal

Country: UK

Bitrate: 320 Kbps

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Increibly Motorhead bootleg pre debut album released, more in the style of ''on Parole'' for both old and new tracks from 1975 and 1977, people only knew them at the time for Hawkwind. Audience Recording

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01-Motorhead

02-Vibrator

03-Keep Us On The Road

04-White Line Fever

05-Lost Johnny

06-Iron Horse

07-The Watcher

08-Train Kept A Rollin

09-Leaving Here

10-City Kids

1-- full album track (enhanced)

RENAISSANCE - Turn Of The Cards (1974 - Shire Records) UK

Renaissance es una banda con un extraño recorrido, ya que tras la salida de todos sus miembros fundadores (Keith Relf, su hermana, Jim Mcarthy, John Hawken.. músicos de la familia armageddon, la familia de nuestro blog) tras la salida de todos sus miembros de forma mas o menos progresiva, en 1971 la vocalista Annie Haslam continuó por su cuenta y reformo la banda de manera que para 1972 ya no quedaban ninguno de los miembros originales, un tema raro de cesión de derechos donde los haya. Sin embargo esto no fue malo y la nueva formacion mk II y mk III siguieron con estilo muy muy similar al de los originales Renaissance y su magia (por lo menos hasta 1976, no he escuchado trabajos posteriores)

prefiero poner la foto del album y ya esta, antes en mi casa de España le echaba fotos a los discos que quedaban muy guapas pero se veia la television de fondo porque tengo el tocadiscos delante, por muy guapas que estuviesen esas fotos de nada servian si habia cosas modernas de fondo

Post actualizado una semana despues.. acabo de ver esto al subir el albul al canal... EN SERIO las casualidades y cosas raras que pasaron con esta banda en 1971 me recuerda mucho a la banda de ''la conspiracion de la mantequilla de cacahuete''

-----------------------------------la letra del tema ''Mother Russia'' un tema muy bueno pero que tiene una ------------- donde habla de un escritor anti comunista Aleksandr Solzhenitsyn, ---------------------------------------------------

*Annie Haslam: voz principal y coros

*Jon Camp: bajo y coros

*John Tout: teclados y coros

*Terence Sullivan - Batería, percusión, coros

*Michael Dunford - Guitarra acústica, coros Arreglos

orquestales: Jimmy Horowitz

El vinilo lo tengo en edición española de 1975, se vendio mucho en particular en España (los anteriores ni se editaron por ser una banda poco conocida peor no estaban prohibidos), asi que la versio  que yo os comparto es Shire Records Vinyl Rip britanico de 1974 sacado de internet !

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salurocks!!

Otra de esas bandas producidas por Tony Iommi: QUARTZ - Quartz 1977 Mainline Riders

Esta rockliquia la descubri hace más de una década pero por alguna razón olvide subirla al blog se me fue pasando, es un discazo porque no solo esta producido por Iommi es que tiene unas colaboraciones que convierten a este album en un super group. El núcleo de Birmingham QUARTZ se formó a finales de los años 60, cuando el bajista Derek Arnold, el guitarrista Mick Hopkins y el baterista Malcolm Cope se conocieron en el grupo Copperfield. En 1973, el trío se unió al vocalista Mick Taylor, y así un nuevo grupo Bandylegs. En 1976, el grupo creó un contrato con Jet Records. El equipo realizó muchas giras y después de una gira con Black Sabbath en 1977 cambió el nombre a QUARTZ. En 1977, con el mismo nombre lanzaron su primer álbum, el cual fue producido por Tony Iommi (Black Sabbath). QUARTZ realizó una gira con Black Sabbath en apoyo de este álbum. El guitarrista de Queen, Brian May, toca la guitarra en la composición ''Circles''. La composición no salió en el disco y está presente en la segunda cara del sencillo ''Stoking the Fires of Hell'' pero yo la he incluido asi que tranquilos. El equipo tocó 3 veces en los festivales de Reading y Leeds (1976, 1977 y 1980) y como teloneros de grupos como Iron Maiden, Saxon, UFO y Rush. Un segundo álbum de estudio, Stand Up and Fight, fue lanzado en 1980, el tercero, Against All Odds en 1983. En 1979, Jeff Nichols dejó la banda y se unió a Black Sabbath. En 2004 llegó una colección de Satan's Serenade, una compilación que incluye el álbum de estudio debut y muchas pistas en vivo y no realizadas

👂👂👂👂 Agradecimientos a 60s-70s rock por el material sonoro, otro de los mejores blogs de música que aun quedan supervivientes

1. Mainline Riders

2. Sugar Rain

3. Street Fighting Lady

4. Hustler

5. Devil's Brew

6. Smokie

7. Around and Around

8. Buscadores de placer

9. Little Old Lady

Mike Taylor - voz (1974-1982)
Mike Hopkins - guitarra
Geoff Nicholls - guitarra, teclados (1977-1979)
Derek Arnold - bajo
Malcolm Cope - batería

Reliquias del Jebi: DEEP PURPLE - At The B.B.C. VOL 1-3

Hubo una epoca que me gustaba mucho la BBC porque son los temas de estudio pero version alternativa, y estan tan bien grabados que aunque en teoria sea LIVE es como si fuese estudio, ademas sirven como recopilatorios de lo mejor de

 👂 vol 1&2

👀 vol 3 (same album that in concert live 1972 lp) 

WARHAMMER en 16-BITS soundtrack compilation SPACE CRUSADE & Hero Quest 1991-92 UK

 

Es una musica realmente increible lo mejor que he oido en 16 bits y eso que jugue a muchos juegos de esa epoca, tiene una magia y una energia parecida a la del vaporwave que te hace sentir triste y alegre a la vez es tan nostalgico, y sobre todo, muy proggy

👂👂👂👂 40k

👀👀👀👀 fantasy

La verdad es que Warhammer es la mejor puta saga de fantasía que existe por varios motivos, el primero que tiene más lore que ninguna porque no se ata a las 4 películas, 4 juegos y 4 libros famosos de turno; y segundo porque se ha centrado casi de forma exclusiva en el cerrado mundo de los juegos de mesa y el modelismo lo cual ha hecho que se mantenga todo casi como en los 80s frikismo puro sin fanboys y sin que el capitalismo haga de las suyas

Por eso ahora de repente han visto una oportunidad y han dado el gran salto a la pantalla con dos juegazos muy prometedores, porque saben que con la ideología de género y la cultura millenial esta la industria del videojuego tan tan deteriorada y casi todas las sagas también hasta el señor de los anillos se ha ido a la mierda, hasta gta.. que saben que incluso si estos dos juegos no son la gran cosa, el simple hecho de que sean gore, auténticos, patriarcales.. ya va a ser un éxito

Warhammer es el futuro, en un mundo globalizado puede que sea lo único, lo puto único que de verdad no se deje comprar por lobbys ni por Disney y sigan sacando productos que podrían ser perfectamente de los 90s o venderse en países como Corea del Norte porque no tienen nada de degeneración ni propaganda. En un mundo donde la propia historia real de la humanidad ya ha sido vendida a Disney, Warhammer va a acabar siendo más real que nuestro propio mundo

además es un universo de la ostia donde no hay espacio para gilipolleces, y a lo tonto tiene una filosofía y una forma de entender la magia que se parece mucho a como seguramente es el universo de verdad y los planos dimensionales con sus respectivos demonios y entidades

Lo que habría cambiado mi vida si hubiese vivido en ese univeros y no en esta epoca de mierda y más en concreto en España, no os lo podeis ni imaginar, mecambiaba besado y lo dejaria todo por vivir en ese universo incluso si solo duro vivo 5 minutos 

Reliquias del prog: JUDAS JUMP - Scorch 1970 UK

 Judas Jump was a British short-lived prog rock supergroup, formed in 1969. They released one album and three singles before disbanding in 1971. They are best known for their various members who had success before and after Judas Jump

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Barón Rojo Live At Reading 1982 UK

 

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Cuando Baron rojo estuvo a punto de saltar a todo lo alto, pero el españolismo le corto las alas

Baron Rojo - Live At Reading 1982 [Bootleg]




Band Info:
Country: Spain
Location: Madrid
Formed: 1980
Style(s): Heavy Metal
Status: Active


Location: Reading Festival, UK
Date: August 27th, 1982
Recording Source: Audience




Release Line Up:

Carlos de Castro - Guitars, Vocals
Armando de Castro - Guitars, Vocals
Sherpa - Bass, Vocals
Hermes Calabria - Drums




Tracklist:



01 - Stand Up
02 - Flowers Of Evil
03 - You're Telling Me
04 - The Baron Flies Over England
05 - Someone's Loving You
06 - Concert For Them
07 - Long Live Rock n Roll
08 - Rockers Go To Hell
09 - Isolation Ward
10 - The Poor

ELMER GANTRY'S VELVET OPERA & Velvet Opera - Otro post que desapareció misteriosamente..

 por culpa de lo fascistas de mierda de g 00 gle y del capitalismo. Por este tipo de cosas ya no suelo hacer reviews de los discos

Una banda con bastante musicalidad y variedad, totalmente recomendada 8 o 9 de 10

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The Bath Festival Of Blues & Progressive Music Bath & West Showground , Sheppton Mallett, England

 It has digital clippin' i couldn't do so much original tape uploaded to internet in the 90s was badly uploaded, but it isn't bad at all, its enjoyable at least

The Bath Festival of Blues and Progressive Music was a counterculture era music festival held at the Royal Bath and West Showground in Shepton Mallet, Somerset, England on 27–29 June 1970. Bands such as Pink Floyd and Led Zeppelin performed, and the festival was widely bootlegged. An 'alternative festival' was staged in an adjoining field where the Pink Fairies and Hawkwind played on the back of a flatbed truck

Michael Eavis was attendant at the festival and was inspired to hold later that year the first event of what would become the Glastonbury festival of contemporary performing arts

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The festival started at midday on the 27th (a Saturday) and finished at about 6:30 am on Monday morning. A DJ played records for early arrivers from the Friday evening and continued to do so between many of the sets until the end. The festival featured a line-up of the top American west coast and British bands of the day, including Santana, The Flock, Led Zeppelin (headlining act), Hot Tuna, Country Joe McDonald, Colosseum, Jefferson Airplane (set aborted), The Byrds (acoustic set), The Moody Blues (unable to play), Dr. John (acoustic set), Frank Zappa & The Mothers of Invention, Canned Heat, It's a Beautiful Day, Steppenwolf, Johnny Winter, John Mayall with Peter Green, Pink Floyd, Pentangle, Fairport Convention, Keef Hartley, and the Maynard Ferguson Big Band. This line-up was approaching the level of the more famous Isle of Wight festival held in August of the same year. As it attracted less press coverage at the time and was a smaller affair, it has generally received less attention in the years since. Bath was the brainchild of promoter Freddy Bannister and his wife Wendy Bannister, who had held the smaller Bath Festival of Blues within Bath itself in 1969. The 1970 show attracted a significantly larger crowd of 150,000, but, like the Isle of Wight festival, an audience of such magnitude created some serious on-ground difficulties. The logistics proved to be too vast for Bannister's small team to adequately cope with, and his security staff stole large amounts of gate receipts, resulting in a far smaller profit than expected

The stage – Donovan has just begun his set

Actually getting to the festival itself was another problem for many of the throng of fans. The country lanes leading to the site were swiftly blocked by cars, also meaning that many of the bands' equipment trucks could not get to the site. On Sunday morning this led to Donovan casually walking out onto the empty silent stage, to address the expectant but bored crowd - who were slowly drying out from the drenching received during the night. Being a folk singer, his genre was not what the crowd had gone there to hear. So to test the mood of the crowd out, he engaged in a bit of small talk, where he explained that he had spent the night in his van in a nearby field and so on. Then worked around to asking if they would like him to play a song whilst they waited for the billed act to arrive. A lively rendering of "I know an old lady who swallowed a fly" raised the crowd's spirits. Then he played some of his classics. As the crowd seemed to appreciate this, electric guitars, amps and a few reluctant musicians (or rather stage-hands that knew a few chords) were pressed into accompany him. Still no bands came, so Donovan continued. His impromptu and free performance eventually filled in for 2½ hours of what otherwise would have been silence

As a consequence of these delays, the festival ran behind schedule and many bands had to play to diminished crowds in the small hours of Monday morning. The last act, Dr John, hit the stage at dawn on Monday. The festival featured many innovations, including projections of the bands on screens on the side of the stage, a good quality PA system, on-site tents for the patrons to sleep in and larger tents which projected films such as King Kong throughout the night. The expenditure on these items ate into the profits, and many people decamped with the tents, which were hired. This was another expense that had to be borne by the promoters

The festival was captured on both film and on video, in varying quality, but a lack of post-festival organisation led to the footage being lost for many years. Much of it has now been recovered, but the black-and-white footage is of poor quality and is in many different hands. It is considered unlikely that it will ever see the light of day as a legitimate release since no-one can agree on who owns the copyright. This situation could be contrasted to the Isle of Wight Festival, which was professionally recorded and filmed in colour. The festival was widely bootlegged, and several audience tapes are now in circulation. It is rumoured that excellent soundboard tapes also exist, though to this point they have not publicly surfaced. An 'alternative festival' was staged in an adjoining field where the Pink Fairies and Hawkwind played on the back of a flatbed truck. This was a precursor to the many free festivals of the 1970s

RECORDED ONLY 5 HOURS

1970-06-27:

1º Colosseum (FEATURING LOUIS CENNAMO)

01 - Johnny B. Goode

02 - Unknown song title / titles

Band:

John Hiseman – Drums

Dick Heckstall Smith – Sax

Lousi Cennamo – Bass

Dave Greenslade – Keyboard

Dave Clemson – Guitar/Vocals

---

2º - It's a Beautiful Day

01 - Don & Dewey

02 - White Bird

03 - Hoedown

04 - It Comes Right Down To You

05 - Soapstone Mountain

06 - ?

07 - Time Is

08 - Open Up Your Mind

09 - Bulgaria

Band:

David LaFlamme – Violin/Vocals

Fred Webb – Keyboard

Hal Wagenet – Guitar

Mitchell Holman – Bass

Val Fuentes – Drums

Pattie Santos – Vocals

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3º Steppenwolf

01 - Sookie Sookie

02 - Hoochie Koochie Man

03 - The Pusher

04 - Born To Be Wild

05 - Magic Carpet Ride

Band:

Goldy McJohn - Keyboard, Vocal

Larry Byrom - Guitar, Vocal

John Kay - Guitar, Vocal

Jerry Edmonton - Drum, Vocal

George Biondo - Bass, Vocal

4º Johnny Winter

1. intro

2. guess I'll go away

3. rock'n'roll hoochie koo

4. talk to your daughter

5. prodigal son

6. rollin' & tumblin'

7. black cat bone

8. five long years

9. good morning little school girl

10. johnny b. goode

11. mean town blues [with slide guitar and "walking blues"]

12. eyesight to the blind [encore, rare]

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5º Pink Floyd

1. Green is the Colour 3:31

2. Careful With That Axe Eugene 9:59

3. A Saucerful of Secrets 18:43

4. Set the Controls For The Heart Of The Sun 13:46

5. The Amazing Pudding 25:23

6º John Mayall

01 - It Might As Well Be Raining

02 - I Might Catch Up With You

03 - No Place to Go

04 - Crazy Women (Left channel drops out)

05 - My Pretty Girl

06 - What’s Wrong Now

Band:

John Mayall – Mouth Harp/Guitar/Vocals

Peter Green – Guitar

Ric Grech – Bass

Aynsley Dunbar – Drums

Rod Mayall – Keys

7º Canned Heat

01 - Roll Me Over Baby

02 - Reefer Blues

03 - Somethings Gotta Go

04 - Pulling Hair Blues

05 - Human Condition

06 - Future Blues

07 - Dollar Blues

08 - So Sad ( World in a tangle )

09 - Lets Work Together

10 - We Like to Boogie

11 - Shake Rattle and Roll

12 - You Never Miss Your Water

Band:

Bob "The Bear" Hite - Vocals

Al "Blind Owl" Wilson - Guitar/Vocals/Harmonica

Adolpho "Fito" De la Parra - Drums

Henry Vestine - Lead Guitar

Tony de la Barreda - Bass

Announcer: John Peel

Agnes Strange disc0grafia 1972-1975 UK

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Theme for an Imaginary Dream (1974) & Strange Flavour (1975) 

Slurcoks!

Jerusalem - Jerusalem 1972 UK produced by Ian Gillan, version without clipping

 version analogica sin saturacion digital 👂👂👂👂 

Frustration

Hooded Eagle

I See The Light

Murderer's Lament

When The Wolf Sits

Midnight Steamer

Primitive Man

Beyond The Grave

She Came Like A Bat From Hell

Bass – Paul Dean 

Design, Guitar – Bob Cooke

Drums, Percussion – Ray Sparrow

Guitar – Bill Hinde

Vocals – Lynden Williams