Showing posts with label St. Louis. Show all posts
Showing posts with label St. Louis. Show all posts

Friday, February 19, 2021

A great leap forward in ARCH-itecture

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Gateway Arch (1965-68, Eero Saarinen), St. Louis, Missouri, as seen from Mississippi River. Photo by Buphoff (CC BY-SA 3.0).

Streamlined in a space-age sheen of stainless steel, the Gateway Arch in St. Louis springs 630 feet high and wide across the Jefferson National Expansion Memorial Park in a seamlessly soaring hyperbolic arc, calling to mind the path of Superman leaping tall buildings in a single bound or a model rocket launching, leaping and landing in one fell swoop.

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ImageAnd you'll be going on your own space odyssey as you take a ride in a spaceship-like tram car, comfortably equipped with buttock-contoured bucket seats, upward through the innards of the concrete-reinforced steel arch...

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Tram car photo (left): Robert Lawton (CC BY-SA 2.5). Deck photo: Daniel Schwen (CC BY-SA 4.0).
...and dock at its summit observation deck, where you'll feel like the Man of Steel as you gaze down at the breathtaking, far-reaching vistas of...
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Photo by Kelly Martin (CC BY-SA 3.0).
St. Louis City and County to the west... 

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Photo courtesy of STL Family Attractions Card.
and the Mississippi River and southern Illinois to the east—a 30-mile view on a clear day. 

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Photo by Paul McDonald (CC BY-SA 4.0).
"Since you can't see the base of the arch, you think you are floating," an observer wrote of his childhood visit to the Gateway Arch in 1968, the year of its dedication, on the now-defunct AAA website aaatravelviews.com.

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Photo courtesy of the U.S. Air Force.






Comprising a pair of identical equilateral triangular legs tapering from 54 to 17 feet per side as they rise and meet at the top, this mathematical masterpiece was designed in 1947 by Finnish-American architect Eero Saarinen and structural engineer Haanskarl Bandel as a memorial to the Westward Expansion of the United States, as initiated by President Thomas Jefferson's 1803 Louisiana Purchase from France, St. Louis's resulting establishment as America's first civil government seat west of the Mississippi, and Lewis & Clark's 1804 expedition to the mouth of the Columbia River on the Pacific Ocean.

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Photo by Becherka, courtesy of Wikimedia Commons
Situated in a 91-acre park on the city's original riverfront settlement site on a central axis with the domed Old Courthouse—where Missouri slave Dred Scott's case to live as a free man in free states across the river was rejected in 1857—the arch is a direct "Gateway to the West," symbolizing our great leaps forward in national growth, social progress, technological development, and architectural evolution, classical to modern. 

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The Gateway Arch is Missouri's tallest publicly accessible structure and the nation's tallest commemorative monument, surpassing Texas' 570-foot San Jacinto Monument by 60 feet and Washington D.C.'s 555-foot Washington Monument by 75 feet.

Thus the Gateway Arch has become St. Louis's signature iconic image, earning a central appearance on the reverse of Missouri's state quarter in 2003. 

Thank you for visiting. I welcome your comments!


Friday, June 23, 2017

The royalty of Rhodes Hall

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Photos courtesy of the Georgia Trust for Historic Preservation, except where noted
Also known as Le Rêve (“The Dream”) and the “Castle on Peachtree,” Rhodes Memorial Hall at 1516 Peachtree St. NW in Atlanta realizes that “castle in the air” and “your home is your castle” living situation that dominated many of our childhood reveries. Built in 1904 for $50,000 as the residence of Amos Giles Rhodes, proprietor of Rhodes Furniture in Atlanta, this robust granite mansion was designed by Willis F. Denny II in a Romanesque Revival style inspired by the German Rhineland castles Rhodes idolized while traveling in Europe in the late 1890s. 

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Its granite towers and battlements, mahogany woodwork, murals, parquet floors, tile mosaics and stained glass reflect Rhodes’ standing as one of Atlanta’s wealthiest citizens. Born in Kentucky in 1850, he opened his furniture store locally, expanded it to 35 Southeastern cities, and continued to run it until his death in 1928. The mahogany is from the West Indies, and the granite was quarried at Stone Mountain, 25 miles east of Atlanta. Fascinated by the new technology, he electrically wired his home with 300 lightbulbs, multiple call buttons for servants, and an advanced security system.

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The arched, columned porch with coffered ceiling is an “outdoor room” in itself.
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The porch introduces the tall, dark and handsome reception hall with
mosaic-tiled fireplace, mirrored mahogany mantel, picturesque
nature murals, and carved mahogany staircase.
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Regally rising above the stair are three stained-glass window
triptyches designed by the Von Gerichten Art Glass Company,
winner of four gold medals at the Louisiana Purchase Exposition,
a.k.a. the St. Louis World's Fair of 1904.
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The windows depict the Confederacy’s rise and demise, from its firing
on Fort Sumter to its surrender at Appomattox. These scenes no doubt
inspired Margaret Mitchell's background research for Gone with the
Wind 
in the house when it held the Georgia State Archives.
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The Louis XV-styled parlor is embellished with high columns, scrolled
brackets, ornate ceiling, cascading crystal chandelier, silken damask
panels, and a bow window with fanspread arches and paneled pilasters.
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Photo courtesy of History Atlanta




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Photo courtesy of Atlanta History Center
If you’re inclined, go up to the roof and observe how the neighborhood has changed over 111 years. Built on 114 acres of land stretching across Tanyard Creek, Rhodes Hall was comparable to Tara from Gone with the Wind in southern plantation elegance and expanse. Most of that land is now taken over by modern office buildings and the Brookwood Interchange of I-75/85. As a holdout from the period when such stately homes lined Peachtree Street before most gave way to urban progress, Rhodes Memorial Hall memorializes an era that “is no more than a dream remembered. A civilization gone with the wind,” as the movie’s opening titles read.

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Photo courtesy of the Georgia Archives
It remains because Amos Rhodes’ heirs deeded his home and an acre of his land to the state of Georgia for use for “historic purposes.” It housed the Georgia State Archives from 1930 to 1965, then became the Peachtree Branch of the Archives. In 1983, the Georgia Trust for Historic Preservation leased Rhodes Hall from the state, restoring it as a historic house museum and their home.  
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Rhodes Memorial Hall is also a popular venue for weddings, wedding receptions and bridal showers, particularly its “Cupid at the Castle” 15-minute weddings on Valentine’s Day, where up to 20 pre-registered couples exchange vows for a $200 donation that benefits the Georgia Trust for Historic Preservation. 

For more information on Rhodes Memorial Hall, call 404-881-9980, or visit the Atlanta Convention and Visitors Bureau, 233 Peachtree Street, 404-521-6600.

Thank you for visiting. I welcome your comments!